In this post I am exploring the provenance of the Groombridge Illustrated edition of Mansfield Park that I discussed in my last post, Price and Provenance 10. The book cover is shown below, with its engraved title page and frontispiece (Figure 1.)
My copy of this rare book has a hand-written dedication on the verso of the free front end paper. It is shown in Figure 2 below. It reads To | Lillie Bazley |With Emily’s love | July 1st 1876.
As a starting point, I searched on Ancestry.com for a Lillie Bazley whose birthday was 1st July, and who had been born between 1840 and 1860 in England. This search found a preexisting tree which contained an Elizabeth Mary (Lillie) Bazley born on 1st July 1857 in Eccles in Lancashire. Presumably Lillie had been a family nickname. On closer examination of that preexisting family tree, I was interested to see that Elizabeth Mary (Lillie) Bazley had married a military hero, General Sir Edward Pemberton Leach, V.C., K.C.B., K.C.V.O. Lillie Bazley was a member of a fairly distinguished family in her own right, as her father, Sir Thomas Sebastian Bazley, 2nd Baronet, was part of the minor nobility. I spent a few hours researching this family, and I have summarised my findings below. I have taken advantage of the fact that when a book is associated with a notable family, there is generally no shortage of available information about them.
The origins of the Bazley family
Elizabeth Mary (Lillie) Bazley, whom I shall call Lillie for short, was born on 1st July 1857 in Eccles, Lancashire to Thomas Sebastian Bazley (1829-1919) and Elizabeth Gardner (1828- 1890). At the time of her birth, her father had not yet inherited the baronetcy, so he was not yet Sir Thomas. His father, Sir Thomas Bazley, M.P. (1797-1885), Lillie’s grandfather, had been created the 1st Baronet Bazley of Hatherop in Gloucestershire, in 1869, on the advice of the Prime Minister William Gladstone, mainly for his services to the cotton industry. Sir Thomas had been born at Gilnow, near Bolton in Lancashire, the son of a sucessful cotton mill owner, another Thomas Bazley (1744-1845). In 1826 Sir Thomas had formed a partnership with another Lancastrian industrialist, Robert Gardner (1781-1866). Between them they took over a number of cotton mills in Lancashire, and developed the Barrow Bridge mill in Halliwell, which became famous as a model mill, and was the largest producer of fine cotton and lace in the world. On 1st November 1855, Robert Gardner’s daughter, Elizabeth, married Thomas Sebastian Bazley, the only son of Sir Thomas the 1st Baronet. Their first child was Lillie Bazley, the owner of my Mansfield Park.
Sir Thomas Bazley, who was named the 1st Baronet of Hatherop, after an estate that the family had purchased in Gloucestershire in 1867, had become sufficiently well known by 1875 that he was the subject of a Vanity Fair caricature by “Ape”, Carlo Pelligrini. The caricature is shown below in Figure 3, next to the more ordinary photograph of his erstwhile partner Robert Gardner. These two men are the grandfathers of Lillie Bazley.
Lillie Bazley was the first-born child of Thomas Sebastian Bazley and Elizabeth Gardner. She eventually had five other siblings:
Annie Caroline Bazley, born in 1862
Gardner Sebastian Bazley, born in 1863
Frances Annette Ellen Bazley, born in 1866
Jessie Marion Atkinson Bazley, born in 1868
Lucy Maud Mary Bazley, born in 1869
I have found this picture of the family, which is said to be from about 1900. I do not know exactly who the four ladies are. If the picture is from around 1900, my guess would be that the picture shows Sir Thomas Sebastian Bazley and his four daughters. Alternatively it could show Sir Thomas Sebastian and Lady Bazley with their three unmarried younger daughters. For this to be true, the picture must have been taken no later than 1890, when Lady Bazley died. I suspect that Lillie would not then have been in such a family picture, as she had married in 1883, the only one of the four sisters to marry before the death of Lady Bazley. The style of dress, the informality of the outdoor setting and the quality of the photograph suggest an Edwardian photograph rather than a late Victorian one. This makes me confident that one of these four ladies will be Lillie Bazley.
The Bazley Baronetcy
When Sir Thomas Bazley, the 1st Baronet, died in 1885, the title passed to his only son who then became Sir Thomas Sebastian Bazley, the 2nd Baronet Bazley of Hatherop. Sadly, Lillie’s brother, Gardner Sebastian Bazley, died in 1911, eight years before his father, the 2nd Baronet, so it was his son who eventually became Sir Thomas Stafford Bazley, the 3rd Baronet of Hatherop, in 1919 at the age of 12. The title is currently held by Sir Thomas Stafford Bazley’s eldest son, Sir Thomas John Sebastian Bazley, who became the 4th Baronet in 1997. Figure 5 below shows Lillie’s brother Gardner Sebastian Bazley as a young man, and his son Thomas Stafford Bazley as a boy.
The family seat, Hatherop Castle, had been purchased by the Bazley family in 1867.After the Second World War it was first leased and then sold, along with its surrounding estates, as the family wanted to see the property survive intact. It currently operates as a private school, and is shown below. Lillie Bazley is known to have lived here during several periods of her life.
Edward Pemberton Leach (1847-1913)
On 31st January 1883 Lillie Bazley married the then Lieutenant-Colonel Edward Pemberton Leach, VC, at Hatherop. Edward Pemberton Leach was born in Londonderry, Northern Ireland on 2nd April 1847. After finishing his education at Highgate School in London and the Royal Military Academy at Woolwich, , he was commissioned into the Royal Engineers in 1866, the same regiment as his father, Sir George Archibald Leach (1820-1913). He was sent out to India in 1868, and in 1879, as a 31 year old captain in the Royal Engineers attached to the Bengal Sappers and Miners of the British Indian Army, he fought in the Second Afghan War, in which on 17th March 1879 he won a Victoria Cross. This event earned him a return to England to recuperate from his wounds and to receive his Victoria Cross from Queen Victoria at Windsor Castle on 9th December 1879. He returned to active service in India, and gained rapid promotion, so that less than four years later, when he returned to England to marry he was already a Lieutenant-Colonel. He later saw active service in Egypt and Sudan, before returning to senior commands in the UK. Other promotions followed and he was knighted in 1909 by King Edward VII. Lillie Bazley had now become Lady Leach.
Sir George Archibald Leach had a career in the public service after the army, and so was in the public eye, becoming the subject of a Vanity Fair caricature by FTD in 1896. Figure 6 below shows the caricature, and a photograph of his son Edward Pemberton Leach, V.C. around the time of his marriage.
Bazley-Leach marriage and beyond.
Lillie Bazley and Edward Pemberton Leach had three children. They were:
Lilian Vera Pemberton Leach born on 15 November 1883 at Hatherop Castle
Gordon Pemberton Leach, born on 2nd Aug 1885 at Hatherop Castle
Elsie Pemberton Leach, born in 30th June 1888 at Plymouth, Devon.
After their marriage in January 1883, Edward Leach served overseas on several occasions before his final return to the UK in 1887. The family lived in Plymouth until the mid 1890s, when Edward was promoted to Major-General and then appointed to a senior command in Northern Ireland, where the family lived in Antrim from about 1898 to 1905. Their son, Gordon Pemberton Leach, was at boarding school from around 1900 and joined the army in 1905. The rest of the family moved to Scotland later in 1905 when Edward was appointed to be the General Officer Commanding for the Scottish Command, remaining in that post until 1909. Lillie and Edward then returned to London where they lived until Edward’s retirement.
Edward Leach eventually retired from the army in 1912 as General Sir Edward Pemberton Leach, V.C., K.C.B., K.C.V.O. Sadly, he died on 27th April 1913 at Caddenabbia on Lake Como in Italy, where he and Lillie had decided to live following his retirement. He died just six weeks before his father, Sir George Archibald Leach, in June 1913. After her husband’s death, Lillie returned to England and was living at 29 Palace Gate, London W8.
Her son, Gordon Pemberton Leach, had risen to the rank of Captain in the Royal Field Artillery by the start of World War One. He was killed in action on 19th August 1915 at Hellas in Gallipoli, and is buried there at the Pink Farm military cemetery. Neither of Lillie’s daughters married, and the youngest, Elsie, lived with her mother, until Lillie Bazley, as Lady Elizabeth Leach, died in Bournemouth in Hampshire on 9th January 1940.
After her mother’s death, Elsie Leach became quite a famous ornithologist in her later years. She eventually died in Kensington in 1968. Lilian Vera Leach lived in mostly London,where she too died in Kensington in 1973. None of the three children of Elizabeth Mary (Lillie) Bazley married or had children.
Who gave Mansfield Park to Lillie Bazley?
The inscription shown in Figure 2 reads To | Lillie Bazley |With Emily’s love | July 1st 1876. We know that the Groombridge Mansfield Park was published in October 1875, so who was the Emily who gave the book to Lillie for her 19th birthday?
I will never be able to prove this, but I do have a possible theory. I think that the answer can be found on the census document for the Bazley family from April 1871, where the 13 year old Lillie Bazley is reported to be living with her family in the Alexander Hotel in Knightsbridge, London. Among their servants is a 24 year old Under-Nurse called Emily Westmacott from Leckhampton, Gloucestershire. Her job would have been to look after the children. In the April 1881 census, the Bazley family is living back at Hatherop Castle in Gloucestershire, but Emily Westmacott is no longer with the family. In fact, there are no nurses listed among the servants, as the children are all older now. There is instead a “Resident Governess” and a “Young Ladies Maid”.
On 7th October 1975, Emily Westmacott had married Charles Cornock at St. Luke’s Church, Cheltenham in Gloucestershire, and by April 1881, she and Charles were living in Leckhampton in Gloucestershire with their three young children. One can presume that in the 1870s, the Bazley family would have moved back and forth between London and Hatherop, following the social customs of the day. In July 1st 1876, Emily would probably have already have been living in Leckhampton, which is within 15 km of Hatherop. She could have bought Mansfield Park in nearby Cheltenham, where there were several bookshops in the 1870s, and sent the book from Leckhampton to Hatherop by post or by coach. We don’t know how long Emily worked for the Bazley family, but the informal tone of the inscription suggests to me the sort of close relationship that a dedicated nursemaid may well have developed with one of the children in her care.
I have no information on when or how the Groombridge Mansfield Park left the possession of the Bazley-Leach family. Lillie may have passed the book on to one of her two daughters, or to one of her surviving siblings or their families. There are no other ownership marks or inscriptions to give me any clues. I bought the book quite recently from an English book dealer who specialises in old and unusual editions of Jane Austen.
Mansfield Park by Jane Austen was first published in 1814 by T. Egerton as a three volume novel. A second edition, also in three volumes, was published in 1816 by John Murray. Neither of these two editions had any illustrations. The next edition to be published was a single volume edition published in 1833 by Richard Bentley. It had an engraved frontispiece and an engraved title page with a vignette illustration. Figure 1 shows images of these two pages.
Technically, the Bentley edition is the first edition of Mansfield Park to have any illustrations, but in most collector’s opinions this would not count as an illustrated edition, as there are no illustrations either embedded or interleaved in the text. Several other editions of Mansfield Park were published following the Bentley edition, particularly editions by Simms and M’Intyre (1846), Routledge (1857), Derby and Jackson (1857), Ticknor and Fields (1863) and Tauchnitz (1867). None of these were illustrated, even with a frontispiece.
The first illustrated edition of Mansfield Park was an undated edition published by Groombridge and Sons, 5 Paternoster Row, London. It is generally accepted that this edition was published in October 1875. The book contains 7 full-page engraved illustrations of drawings by A. F. Lydon. Not only is this the first edition of Mansfield Park with a set of illustrations, it is the first edition of any Jane Austen novel to be published in English with a set of illustrations. It is only preceded by some French translations of Austen published in the 1820s in three volumes with an engraved frontispiece in each volume. The top board and both title pages of my copy of the Groombridge Mansfield Park are shown in Figure 2 below.
The binding is a standard one used by Groombridge and Sons for some of their published fiction. They published several of the works of Grace Aguilar, often in this style of binding. The last page of the text block of my Groombridge edition of Mansfield Park is numbered 440, and bears the name of the printer, “B Fawcett, Engraver and Printer, Driffield.” The page height is 18.7 cm. These three characteristics all support the idea that this edition was printed de novo, rather than being a reprint of an earlier known edition, as no other known edition of Mansfield Park fits this description. David Gilson gives this book the designation E43 in his ABibliography of Jane Austen, where he reports a publication date of October 1875, derived from the English Catalogue of Books. WorldCat also gives the date 1975, which comes from the deposit copy held by the British Library, the only copy listed on WorldCat. This is a very rare book, which means that few people have seen the illustrations. I will show all seven on them in the following sections.
A F Lydon, the illustrator and B Fawcett, the printer
The seven illustrations were all engraved by the firm of Benjamin Fawcett (1808-1893), a fine printer and engraver, from original drawings by Alexander Francis Lydon (1836-1917), an Anglo-Irish watercolourist and engraver. The pictures are all signed “A F Lydon” as the artist, but they also have small and indistinct second signatures or marks, which will be by the individual engravers. This indicates that Lydon probably did not execute the engravings himself, even though he was an accomplished engraver. This is underlined by the statement on the printed title page “Illustrated from Drawings by A.F.Lydon”. Indeed, much of the firm’s work was engraved by Benjamin Fawcett himself. Lydon was in fact an employee of Benjamin Fawcett (1808-1893), and had served his appenticeship as an engraver with Fawcett. This was mutually convenient as Driffield, a town in East Yorkshire, was both Lydon’s family home and the site of Fawcett’s business. There is a modern pub in Driffield today called “The Benjamin Fawcett”.
Lydon and Fawcett worked together over many years to produce mainly illustrations of wildlife, landscapes or architectural subjects. Lydon excelled in fine watercolour paintings of birds and plants, and also of grand houses in landscaped parks. Fawcett’s expertise was highly skilled colour printing from woodblocks. Much of their work was published by Groombridge and Sons, including the magnificently illustrated six volume series of A Natural History of British Birds by Reverend Francis Orpen Morris. I show two fine examples of typical work by Lydon and Fawcett below in Figures 3 and 4.
The Lydon illustrations for Mansfield Park
The illustrations for the Groombridge edition of Mansfield Park are all black and white printings of finely executed engravings on woodblocks of line drawings by Lydon. Several of them show off the artist’s skill in landscapes. This starts with the frontispiece, shown below in Figure 5.
This shows the heroine, Fanny Price, looking back towards the riding party of Edmund Bertram and Miss Crawford in front of the house at Mansfield Park. The incident is from chapter 7. Lydon’s expertise in the depiction of landscape is very much to the fore in this design.
The second illustration (Figure 6, left) shows an incident from chapter 9, where Fanny, Edmund and Miss Crawford have rested on a seat during a walk in the woods. Edmund and Miss Crawford then walk on together to the end of the wood, leaving Fanny still on the seat to watch them disappear together down the path.
The illustration shown on the right of Figure 6 depicts Edmund explaining to Fanny his concerns about the propriety of the amateur dramatics that the house party is engaged in.
In the next illustration (Figure 7), which is from chapter 25, we return to Lydon’s love of landscape as he depicts Henry Crawford’s story of stumbling across the village of Thornton Lacey, his promised living, while walking his lame horse back to Mansfield Park.
In the next illustration (Figure 8 left), taken from chapter 35, we see Edmund and Fanny walking together arm in arm as Edmund tries to find out what feelings she might have for Henry Crawford. In Figure 8 (right), we have moved on to chapter 41, where Henry Crawford is talking about his future prospects to Fanny Price at Portsmouth docks, rather wishing that Fanny’s younger sister, Susan, was not present.
The final illustration, shown in Figure 9 below, comes from an event in chapter 46, when Fanny, accompanied by her excited sister Susan and a nervous Edmund Bertram, returns to Mansfield Park by carriage from Portsmouth. This picture shows off Lydon’s facility in drawing country houses and landscaped grounds.
These seven drawings give an interesting view of an Austen novel through the eyes of a landscape and wildlife artist. Although the clothes depicted are decidedly from the 1860s and 1870s rather than Regency period, the drawings offer an interesting contrast to the classic illustrations of Austen by Charles and Henry Brock, Hugh Thomson and Chris Hammond, all whom tended to concentrate on fine line drawings of interiors, with accurate depictions of costume, manners and decor of paramount importance. It should be said that Thomson was also a fine illustrator of landscape and particularly well regarded for his depictions of horses.
This is the only novel of Jane Austen known to be illustrated by A. F. Lydon.
A few comments on the publisher, Groombridge and Sons
Richard Groombridge started as a publisher in 1833, when he operated out of his home, 6 Panyer Alley, using the imprint of Richard Groombridge or R. Groombridge. Four of his sons served as his apprentices and joined the firm to work as publishers and booksellers. In 1845, when his two eldest sons were 28 and 25 years old respectively, the imprint of the firm was changed to “Groombridge and Sons”, usually followed by “5, Paternoster Row” on the title page. Following Richard Groombridge’s death in 1855 the firm was run jointly by the two oldest sons. Sadly, the three oldest sons all died between 1860 and 1868, leaving the youngest, Charles Groombridge, as the last surviving son of the founder. He seems to have lost interest in publishing sometime during the 1860s, and by the 1870s, the firm was run by three grandsons of Richard Groombridge until it ceased to trade sometime around 1900.
R. Groombridge and Groombridge and Sons were best known as publishers of books on religion, agriculture and natural history, although they did also reprint several of the novels of Grace Aguilar (1816-1847), a popular writer on themes of Jewish history and religion. The Groombridges worked closely with Benjamin Fawcett, publishing many of his finely illustrated books between 1844 and 1890.
It is not known why Groombridge and Sons decided to publish an illustrated edition of Mansfield Park in 1875. It is even possible that the genesis of the book came from the printer, Benjamin Fawcett or the illustrator A F Lydon. We shall probably never know. For more details about the Groombridge family of publishers, read my Groombridge, Publishers page.
In the next post, Price and Provenance 11, I will explore the provenance of my copy of Groombridge and Son’s Mansfield Park.
In this post, I am exploring the source and provenance of an early edition of Jane Austen’s Sense and Sensibility that I acquired a few years ago. It was published in London by W. Tweedie at 337, Strand and does not appear to be listed in any Austen bibliography. There is also no copy found on Worldcat.org. It is an interesting little book, 130 x 90 mm (5 3/8″ x 3 1/2″), whose engraved title page and frontispiece are shown below.
A brief publishing history of Sense and Sensibility
Sense and Sensibility was first published in London in 1811 in 3 volumes by T. Egerton. A second Egerton edition in 3 volumes followed in 1813, and the third English edition did not appear until a single volume edition was published by Richard Bentley as Volume XXIII (23) of his Standard Novels series in December 1832, dated 1833. He also reprinted Sense and Sensibility as Volume 1 of a 5 volume set called The Novels of Jane Austen published in October 1833. The first American edition of Sense and Sensibility was also published in 1833 by Lea and Carey in Philadephia. This was published as a two volume edition, with a novel pagination pattern.
Bentley continued to publish reprints of Sense and Sensibility in 1837, 1846, 1853 and 1854. All of these Bentley editions used the same stereotype plates as the 1833 edition, so the text blocks are all identical. The text in these single volume editions is divided into a three volume format, mimicking the first and second editions published by Egerton.
Richard Bentley had purchased the copyright of Sense and Sensibility from the Austen family in 1832. The first edition of Sense and Sensibility to be published by another British publisher after the expiry of the copyright in 1839 was an 1844 edition published in 2 volumes in London by H.G. Clarke. This first English two volume edition followed the same chapter arrangement as the Lea and Carey first American edition of 1833. David Gilson in A Bibliography of Jane Austen , 2nd edition 1997, designates the Lea and Carey edition as Gilson B6 and the Clarke edition as Gilson E2. Gilson gives a full bibliographic description for B6 but not for E2. The Lea and Carey edition, B6, was constructed as a first volume of 30 chapters in 195 pages and a second volume of 20 chapters in 185 pages. The Clarke edition, E2, was constructed as a first volume of 30 chapters in 239 pages and a second volume of 20 chapters in 224 pages. It was described as also having an exotically engraved title page in colour as well as a regular title page in letterpress. Neither B6 nor E2 was described as having a frontispiece.
The Tweedie edition of Sense and Sensibility
My copy of the Tweedie edition of Sense and Sensibility is bound in what appears to be its original blind-stamped red cloth binding with a rather faded gilt title and decoration on the spine, which has been re-backed. The title reads “Sense and | Sensibility |________ | Austen” with an ornamental urn below as decoration. All three edges of the pages have been gilded. The binding, which still has what seem to be the original pale yellow end-papers is shown below.
The engraved title page is followed by a printed title page that bears the date MDCCCLIII (1853) and repeats that this book is two volumes in one. Following page 239, the final page of chapter 30, we find a half title page that reads “Sense and Sensibility | Volume II”, which is immediately followed by a title page for volume II, which is dated MDCCCLII (1852). The text block numbering then starts again with “6” on the second page, which follows an unnumbered first page of chapter 1 , and ends with an unnumbered page 224, the last page of chapter 20 of volume II. THE END is printed half way down this page. Pictures of these two title pages are shown in Figure 3 below.
From the page counts given above, it is clear that the arrangement of the chapters and the page counts of the two volumes published by Tweedie exactly matches the chapter arrangement and the page count of the Gilson E2 H G Clarke edition of 1844. The Clarke edition is described as a 32mo, which implies that it is a small volume, and Gilson confirms this with his page height measurement of 12.8 cm for E2. The page height for the Tweedie volume is slightly larger at 13.0 cm. In the next figure, I compare one of the title pages from the Tweedie edition with the title page from the Clarke edition of 1844.
Clearly the two pages differ in several respects in their layout and in the use of Roman or Arabic numerals to express the date. However, I find it interesting to note the similarity of the line following “Jane Austen” in both books. They both refer to her as “Authoress of “Pride and Prejudice” etc,” with Clarke adding an extra “etc.” This is unusual, as it is most common to find Jane Austen referred to as “Author” rather than “Authoress” on mid-19th century title pages. For example, the Lea and Carey 1st American edition of 1833 referred to above has the following line printed under the author’s name, which is expressed as Miss Austen: “Author of “Pride and Prejudice,” “Emma,” etc etc”.
It is clear to me that the Tweedie Sense and Sensibility is derived from the Clarke Sense and Sensibility. One would need to compare the texts directly in order to confirm this absolutely. There are two copies of the Clarke edition of 1844 currently on offer on Abe books, but at A$2,500, I am not inclined to buy either of them in order to complete the confirmation!
A brief account of HG Clarke and Co.
Henry Green Clarke (1816-1894) entered the London publishing scene in 1843, and only advertised in the official London book trade publication “The Publishers’ Circular and Booksellers’ Record” in issues which appeared in 1844 and 1845. He published a series of books, which he marketed as Clarke’s Cabinet Series at 32mo size, which he offered for sale at two shillings for a single volume and three shillings and sixpence or four shillings for 2 volume sets. They seemed to be aimed at a female clientele. Sense and Sensibility was advertised in May 1844 as no. 21 in the Cabinet Series, and was priced at 3/6. Clarke also published a two volume edition of Pride and Prejudice later in 1844 as number 34 of his Cabinet Series. Presumably this accounts for the mention of Pride and Prejudice on his title page shown in Figure 4 above. H.G. Clarke and Co went spectacularly bankrupt early in 1846 and its remaining assets were sold off in 1848. Undeterred, Henry Clarke re-entered the “book” trade in 1849 as a seller of books, maps and prints at a shop in the Strand which he ran successfully until about 1875.
In a reference to the Clarke Cabinet Series, David Gilson noted that Michael Sadlier had stated that “several of the titles in this series were reissued in 1849 and 1850 by George Slater bound in red or green morocco cloth with gold decoration and titling on the spine.” In addition, I have only found one reference to a Tweedie Sense and Sensibility. That was in Gilson’s list of corrections and additions on page xxxvi of the introduction to the second edition of his bibliography. Gilson states ” I recorded no editions first published in 1853, but an American collector has a two volume edition of SS published by W. Tweedie, London, 1853 (the second volume being in fact dated 1852).” That clearly sounds like a two volume edition of my book, which is two volumes in one. Perhaps George Slater acquired some stereotype plates from the bankruptcy sale of the assets of H.G. Clarke and Co in 1848, and the plates for Sense and Sensibility were eventually were passed on to W. Tweedie. There are no recorded editions of Jane Austen published by George Slater.
The next issue to address is who was W. Tweedie of the Strand?
William Tweedie (1821-1874)
William Tweedie was born on 9th July 1821 in Haddington, East Lothian in Scotland, a small town about 25 km east of Edinburgh. It currently has a population around 10,000, but in the Middle Ages was the fourth largest city in Scotland! I could find out nothing about William Tweedie’s parents or upbringing. The next record of him is his marriage in Edinburgh on 19th May 1848 to Mary Tapper (1816-1883) who was born and raised in Teigngrace, a small village west of Newton Abbot in Devon. How she came to be in Edinburgh and how they met is a mystery. Mary had been baptised in the Church of England, but William Tweedie was a Quaker.
William and Mary Tweedie had six children between 1849 and 1861, for whom I can find birth registrations, but no baptismal records, suggesting they were born and raised as Quakers. Interestingly, all four sons of this marriage were all married in Church of England ceremonies, suggesting that they did not embrace Quakerism. Both daughters of William and Mary Tweedie remained spinsters and became school teachers, working together to run a series of private schools.
William and Mary Tweedie arrived in London around 1850, along with their first son, William, who had been born in 1849 just outside York. York has traditionally been a strong centre for Quakerism, encouraged by the presence of Joseph Rowntree of chocolate fame, and by the early foundation of Quaker hospitals and Quaker schools. In the 1851 census William Tweedie is described as a bookseller, and his family are living at 18 Upper Wellington Street, Covent Garden, right in the heart of the book trade of mid-19th century London. To illustrate this, here is a short extract from a blog by Mary L Shannon:
“On Wellington Street, you could find the offices of some of the most well-known and influential newspapers, miscellanies, and serials of the mid-Victorian period. In the 1840s and ‘50s it was home to more than twenty newspapers or periodicals, and thirteen booksellers or publishers. The Punch office was at 13 Wellington Street South until January 1844. When Reynolds arrived at number 7 around 1846, number 14 was the office of the Athenaeum. This highly respected literary journal was published by John Francis, who helped to prop up the Daily News after Dickens had abandoned his ill-advised job as its editor. Until 1849, number 14 also contained the offices of the Railway Chronicle. This was edited by John Scott Russell, who had been railway editor for Dickens at the Daily News. A two-minute stroll away, at number 5 Wellington Street South was the office of the Examiner, edited by Dickens’s close friend and literary advisor John Forster. At 17 Upper Wellington Street lived briefly one of the most famous contributors to Household Words, G.A. Sala, while Henry Mayhew published the serial version of London Labour and the London Poor from an office in 16 Upper Wellington Street.”
The first recorded publication by William Tweedie on WorldCat.org is from 1853. Like all of his 66 books listed on WorldCat, it was issued from the address on my book, 337 Strand, London. He was mainly a publisher of books on abstinence from alcohol, together with religious-based advice for women. He also republished several American anti-slavery titles. He is mostly remembered now for creating and publishing the ABC Railway Guides, which he also started in 1853. These were a real rival to Bradshaw’s Guides, which have now regained fame due to Michael Portillo’s series of TV programs on railways. The ABC Railway Guides were still being published well into the 1930s and were the inspiration for Agatha Christie’s The ABC Murders (1936).
William Tweedie died on 27th October 1874 at his home, 4 Campden Hill Road, Kensington, a fairly up-market area of London. The W. Tweedie publishing business ceased trading in 1875, largely, I imagine, because none of his six children entered the book or publishing trade. I have been able to find a Carte de Visite of William Tweedie dated 1873. It is shown here below. I have to say he looks a bit older than 52!
How William Tweedie came to publish an edition of Sense and Sensitivity remains a mystery. It is so atypical of his normal type of publications. It is also strange that the two title pages bear the dates 1852 and 1853. There is no record of any Tweedie publication in 1852 on WorldCat or in The Publishers’ Circular and Booksellers’ Record for 1852. The one puzzle I can offer a solution for is the origin of the frontispiece shown above in Figure 1. I have rotated and expanded the picture to display it again below. It depicts the visit of Mrs Dashwood and her daughters to Sir John Middleton.
In the bottom left corner of the image, “W. Monkhouse, Lith York” is printed. William Monkhouse (1814-1896) was a successful lithographer who worked in York from at least 1841 until the mid 1880s. At the peak of his career he employed ten people to work with him. He was quite well known for a series of fine lithographs of York Minster. Since William Monkhouse and William Tweedie were both in York around 1849-1850, I assume that they may have met during that period. I do not think that William Monkhouse was a Quaker, as he was married in a Church of England ceremony and was not buried in either of the two Quaker cemeteries in York. Perhaps William Tweedie commissioned the frontispiece from his lithographer friend in York. The quality of the work is not outstanding, and it is not clear who was responsible for the original drawing. Monkhouse was known to have collaborated with several artists and photographers during his long career. It is certainly better than the very stiff image of Willoughby and Elinor on the engraved title page (Figure 1.) I have not seen either of these images published anywhere else.
A possible provenance…
My Tweedie Sense and Sensibility does have an inscription on the free front end-paper. It reads “Anne Carter, from her affectionate Aunt Martha, 1860.” It is shown in Figure 7 below.
Anne Carter is a fairly common mid-19th century name, but on searching for an Anne Carter who was both living in the UK in 1860 and who had an Aunt Martha, I rather surprisingly could only find one, and that after some difficulty! The family has a rather compelling and complex story, so I will only summarise it here.
Anne Farr was born on 30th January 1825 in Chelsea, as the only daughter of Thomas Farr and Mary Ann Farr nee Dewin. On the 1851 census, Anne Farr is reported to be a school mistress living in Stanwell Moor, a small village in Middlesex, which in the 1850s would have been entirely rural, but today is the closest village to Heathrow airport, 250 metres beyond the western boundary fence, directly below the flight-path!
Anne presumably met her husband Robert Carter in Stanwell Moor, as he was a long time resident there, having been born in Stanwell Moor in late 1812 and baptised in the parish church at nearby Stanwell on 29 November 1812. Robert Carter was variously described as a publican and a victualler. I am pleased to say that the pub in Stanwell Moor, The Anchor, is still operating.
Anne Farr and Robert Carter were married at St Luke’s Church, Chelsea, which was Anne’s home parish, on 22nd December 1853. Over the next seven years, they had three sons, all of whom were born in Stanwell Moor: Robert John in 1854, Thomas Charles in 1856 and Richard in 1860. In the next census on 7th April 1861, Robert and Ann Carter are shown to be living in Stanwell Moor with their two oldest sons, Robert and Thomas, and a visitor, Martha Palmer. The 7 month-old Richard was staying with relatives William and Sarah Francis at nearby Cranford, which was then a 5km walk east from Stanwell Moor. Today the two villages are still separated by 5km, but the land is now taken up by the long axis of Heathrow airport, making the walk both hazardous and illegal.
Martha Palmer (1781-1872) was born Martha Gould, and had a sister, Miriam Gould (1776 -1844), who in 1808 had married John Carter (1783-1852) of Stanwell Moor. John and Miriam Carter were the parents of Robert Carter, husband of Anne Farr, and so the 1861 visitor to Robert and Anne, Martha Palmer, was their Aunt Martha. I find this compelling evidence that this must be the Aunt Martha who gave the Tweedie 1853 edition of Sense and Sensibility to Anne Carter in 1860.
Interestingly, Robert Carter had an older sister, Martha Carter (1809-1881), the first-born child of John and Miriam Carter, who had presumably been named after Miriam’s sister Martha Palmer nee Gould. Martha Carter married John Ebenezer Gillard in 1841 at St.Luke’s Church in Chelsea. This couple were to play an important role in the story of the Carter family.
Sadly, both Anne Carter nee Farr and Robert Carter died later in 1861, Anne in June and Robert in September, leaving their three sons, Robert John, Thomas Charles and Richard as orphans at ages of 6, 4 and 1 year old respectively. The boys’ own Aunt Martha, now Martha Gillard, took the two older boys into her family and raised them together with her two daughters, Martha Miriam Gillard, who had been clearly named for both Martha and Miriam Gould, and Sarah Emma Gillard.
Both Robert John Carter and Thomas Charles Carter grew up, married, and lived the rest of their lives in and around London. Robert John had no children, but Thomas Charles Carter, who followed in his father’s footsteps and became a publican in Camberwell, South London, had one son, Cecil Thomas Carter (1884-1861).
The youngest son, Richard Carter, had a less happy early life, spending several years in an Infant Orphan Asylum in Snaresbrook, North London. In 1881, he was living in a boarding house in Battersea, South London and working as a harness-maker. In the mid-1880s, he emigrated to Sydney Australia, where he married in 1890 and had four children before his death in 1902. Several of Richard Carter’s great-grandchildren are alive today in Australia.
So that completes the story of this little book and its previous owner. I don’t know what happened to the book after the death of Anne Carter. I bought it from a dealer in the far north of Scotland, so, ironically, it had returned to the birthplace of its publisher, William Tweedie, before making its way to me in Australia.
In this post, I will investigate the origin and prior ownership of my copy of the Miles and Miles edition of Macaria, by Augusta Jane Evans Lewis, that was probably published sometime between 1899 and 1902. The story of the author and her books and of the probable source of the publication appears in the previous posts, Price and Provenance 6 and its sequel Price and Provenance 7. My copy of the book is shown in figure 1 below.
As I mentioned previously, there is no printed date of publication in Macaria, nor is there a bundle of publisher’s advertisements bound into the book to assist with the establishment of a date. However, there is one other piece of useful evidence, a prize presentation sticker on the free front end paper (ffep). The front end papers and the prize label are shown in Figure 2 below.
The label clearly states that the book was awarded to George Goodburn by the Primitive Methodist Sunday School, Penrith for attendance and good conduct. Frustratingly, the date at the bottom of the prize label has not been filled in, nor have the marks achieved. We are left with the printed “190 “, with the final, crucial digit missing. We also have the two names printed on the bottom of the label: “REV. J. GRAHAM, Minister” with “Mr. JNO GRAHAM”, Superintendent printed beneath. Is the information on this label enough to provide us with any help with the date, and can we identify George Goodburn? Here is a larger picture of the label (Figure 3.)
Where is the Penrith Primitive Methodist Sunday School?
There are two obvious main choices for the location of Penrith; Penrith, a small market town in Cumberland, now Cumbria, in England, or Penrith in New South Wales, Australia, now an outer western suburb of Sydney, in the approaches to the Blue Mountains.There are two other less likely candidates; Penrith , nowadays usually spelled Penrydd, a small village in Pembrokeshire, Wales, and Penrith, a small community in Washington State, USA.
It quickly became clear that there had been Primitive Methodist Churches or Chapels in both Penrith, Cumberland and Penrith, NSW but that there were no records of one in the two other Penrith candidates. After further investigation, it became apparent that the Primitive Methodist Church I should concentrate on was the one in Cumberland. There will be much corroborating evidence for this later. In fact, there is a surviving town plan of Penrith, Cumberland from 1872 showing the location of the Primitive Methodist Chapel, and the building , although disused, is still standing today. It is located at the corner formed by Sandgate, Benson’s Row and Fell Lane. It was known locally as the Sandgate Chapel or the Sandgate Head Chapel. The importance of the name “Sandgate” will become apparent later. The map and the building are shown below.
The Sandgate Head Chapel was originally built by the Wesleyan church in 1815 to serve as their main chapel in Penrith. The Wesleyan movement eventually built a new chapel in Wordworth Street, (the poet William Wordsworth’s mother was from Penrith,) and when they moved into Wordsworth Street in 1873, the Sandgate Head Chapel was transferred to the Primitive Methodist movement. After the Primitive Methodist movement rejoined the “mainstream” Westleyan Church in 1932, the Sandgate Head Chapel continued to operate until 1967, since which time it has been empty. There have been plans to convert the building to housing, and in recent Google “Street View” pictures, the building seems to have been renovated.
It is interesting that two out of the three Miles and Miles books that I own have prize certificates from the Primitive Methodist Sunday School movement in them. Perhaps Miles and Miles had an arrangement with the Primitive Methodist movement for the supply of such prize books, although a sample of three is a very small number. You can find some information about the Primitive Methodist movement in Price and Provenance 4.
Rev. J Graham, Minister
The Rev. J Graham referred to on the prize label was Rev. John Graham (1865-1930), who was born in Blyth, Northumberland in 1866. In the 1891 UK census, he was recorded as a single, 25 year old Primitive Methodist Minister living in Goole in Yorkshire. In the 1901 census, he was described as a 35 year old married Methodist Minister living at 51 Wentworth Street, Penrith. This is about 100 metres north of the Wesleyan chapel on the corner of Wentworth Street and Drover Street and 200 metres from the Sandgate Head Primitive Methodist Chapel. He was married to 34 year old Sarah Annie Graham nee Payton from Bagworth in Leicestershire.
At the time of the 1911 census, Rev. John Graham was visiting a family at Allendale in his native Northumberland, and is again described as a 45 year old married Primitive Methodist Minister. However his life had changed considerably since he lived in Penrith in 1901. In the last quarter of 1903, his son John Richard Alston Graham had been born in Penrith, but unfortunately his wife Sarah Annie died in that same quarter, presumably due to complications from the birth. Rev. John Graham was remarried a year later to Jane Eliza Johnson (1875-1952) in Scarborough, Yorkshire, sometime in the last quarter of 1904. According to the records of the Primitive Methodist Church, John Graham moved to be the minister at Allendale in 1904, to Scotter in Lincolnshire in 1907, where his second son Edward Hugh Graham was born in 1909, and to Whitehaven in Northumberland in 1910. In the 1911 census, while Rev John Graham was visiting friends in Allendale, his second wife is reported to have been living in Whitehaven with her son Edward Hugh and her step-son John Richard Alston.
From these records, it seems clear that Rev. John Graham had left Penrith permanently sometime in 1904. The church records also reveal that he moved from Bishop’s Auckland to Penrith in 1900, having been the minister at Goole in Yorkshire from 1890 to 1893. So his tenure as Primitive Methodist Minister at Penrith was limited to the period 1900 to late 1903/early 1904. I have found a photograph of Rev. John Graham published in the Methodist magazine in 1919 (Figure 5), when he was 51. He looks younger in the photograph, which was presumably taken earlier than 1919.
The prize label also mentions a Mr Jno Graham as Superintendent of the Sunday School. This must be another John Graham, and the UK census records for 1901 reveal that there were eight other John Grahams resident in Penrith that year. These varied from a one year old infant John Graham to a 74 year old agricultural labourer. The most likely candidate, in my view, is John Graham, a 42 year old tailor and proprietor, with his wife Elizabeth, of the Castle Temperance Hotel in Castlegate. This was within 250 metres of the Sandgate Head Chapel. Temperance is strongly aligned with Methodism.
It is interesting that this older John Graham was born in 1858 at Bedlington Colliery Village, Northumberland, about three km away from Blyth, where the Rev. John Graham had been born 10 years later in 1868. From this story, we can reasonably suggest that George Goodburn would have most probably received his prize book Macaria during the years of 1900 to 1903. so, who was George Goodburn?
Who was George Goodburn?
The answer to this question is quite simple, but the family history that my investigation revealed was complex and fascinating. I will try just to give the main highlights in this post. There has been no shortage of George Goodburns in Penrith, and they have been there since at least the middle of the 16th century. Now there seem to be none left in Penrith. Where did they come from and where did they go?
Overview of the Goodburn family line.
I have been able to establish the following family line, most of whom were George Goodburns. I am starting the list from the most ancient ancestors and working down to the latest and last member of the line. All were residents of Penrith. The dates for the earliest ones are somewhat vague, due to the meagreness and scarcity of records that have survived for more than 400 years. The list represents 12 consecutive generations of fathers and sons.
Alexander Goodburn (mid 16th cent)
Christopher Goodburn (late 16th cent)
Thomas Goodburn (1600- ?)
George Goodburn (1640-1717)
Henry Goodburn (1682-1757)
George Goodburn (1710-1789)
George Goodburn (1738-1790)
George Goodburn (1765-1826)
George Goodburn the Innkeeper (1805-1883)
George Goodburn the Chemist (1835-1862)
George Albert Goodburn the Solicitor’s Clerk (1859-1931)
George Albert Goodburn the Bank Cashier (1886-1966)
Every one of these, from Thomas Goodburn down to George Albert Goodburn the Solicitor’s Clerk, was born, raised, married and died in Penrith. The earliest ancester, Alexander, is only recorded in the baptismal record of his son Christopher in Penrith. I found some even earlier Goodburns living in Penrith in the first half of the 16th century, but I could not establish their relationship to the family line.
The very last name, George Albert Goodburn (1886-1966), was the recipient of Macaria from the Primitive Methodist Chapel. There are several enigmas that became apparent in the story of his immediate family. I will look at them in more detail in the next section. He is the end of the line, both for Goodburns in Penrith, but also in terms of his direct genetic linkage.
George Albert Goodburn the Bank Cashier (1886-1966)
George Albert Goodburn was born on 8th May 1886, in Penrith and at his baptism, presumably as a Methodist, on 2nd July 1886 was given exactly the same name as his father. His mother was Elizabeth Goodburn who had been born Elizabeth Nicholson in the second quarter of 1866 in the small hamlet of Greystoke, which is found 3km east of Penrith. George Albert Goodburn was his parents’ first born child, following their marriage in the second quarter of 1885. He was followed by a sister, Mary Isabel Goodburn, who was born on 6th May 1888 and a brother, Ernest William Goodburn, who was born on 11 April 1891. The family had lived since the marriage of George Albert Goodburn senior and Elizabeth Nicholson at 19 Sandgate Head in Penrith, and all three children were almost certainly born at home. Starting from the 1881 census document of 3rd April that year, George Albert Goodburn senior was always described as either a Solicitor’s Clerk or a Legal Clerk. He lived at 19 Sandgate Head for the rest of his life, and eventually died there on 16th July 1931, the last George Goodburn to die in Penrith.
Sadly for the family, Elizabeth Goodburn nee Nicholson died at 19 Sandgate Head in the first quarter of 1895 at the age of 28, leaving her widowed husband to raise three children of 8, 6 and 3 years of age. His solution is apparent in the census record of 31st March 1901, where the family shown at 19 Sandgate Head is George Albert Goodburn senior, now 42, with the three children aged 14, 12 and 9 and a “servant” called Margaret Louisa Goodburn aged 22. This was Margaret Louisa Warwick (1879-1969), who later married George Albert Goodburn senior in the third quarter of 1901 back in her home village in Westmoreland. She bore him one child, Reginald Warwick Goodburn (1911- 1982), and survived her husband by 38 years before she too died in 19 Sandgate Head on 28th April 1969. Reginald became a solicitor’s clerk, just as his father had, and lived most of his life at 19 Sandgate Head, where he died on 18th January 1982.
If you inspect the census report for 2nd April 1911 for 19 Sandgate Head, you will see that the occupants were George Albert Goodburn senior, Margaret Louisa Goodburn, now his second wife, and the youngest child of his first marriage, Ernest William Goodburn, recorded as a 19 year old grocer’s assistant. Margaret would have been heavily pregnant, as her son Reginald was born about ten days after the census date. There is no mention of the two older children, who have left home, indeed left the town and the country and are now in North America. Where they were and how they got there needs some background and explanation.
The Goodburn Exodus from Penrith.
The two oldest children of George Albert Goodburn senior, George Albert Goodburn Junior and Mary Isobel Goodburn were not the first members of the Goodburn family to leave Penrith and cross the Atlantic. There had been two earlier quite separate migrations that I will briefly outline.
First, let us go back to George Albert and Mary Isobel’s maternal family. Their mother, Elizabeth, had been born the last of the 5 children of William Nicholson (1835 – 1866) and Elizabeth Nicholson nee Coulthard (1839 – 1925). William Nicholson had died in 1866, a few months after his daughter’s birth. In 1867, her mother Elizabeth remarried John Taylor (1840-1916), a farmer whom she probably had known for many years, stemming from their shared childhood in the village of Lazonby, a few km north of Penrith.
John and Elizabeth Taylor had seven children together while living in and around Penrith between 1869 and 1877. They also had included the five children from Elizabeth and William Nicholson’s marriage as a part of their expanded family. According to the 1871 census, the family were all together on John Taylor’s farm at Penruddock, 6km west of Penrith. By 1881, the combined family was operating as two groups, with two of the older Nicholson boys running the farm at Penruddock, and three of the Taylor daughters staying with them, while John and Elizabeth were running the Black Bull Hotel in Castlegate, Penrith with the other Nicholson and Taylor children staying with them. The Black Bull is no longer operating as a hotel in Penrith, but the original building, now converted into shops, is still standing. You can see it below.
In 1885, John Taylor migrated by himself to the USA, and in June 1887, his wife Elizabeth followed him with the six Taylor children on the SS British King from Liverpool to Philadelphia. We don’t know why they chose to emigrate. The family settled in Sewickley in Pennsylvania, where they became American citizens, and the children married local Americans. Two of the Nicholson sons also emigrated to the same area of Pennsylvania. John Taylor died in Sewickley in 1916, followed by his wife Elizabeth in 1925. They are buried there together.
The other related group that moved from Penrith to North America was the family of George Albert Goodburn senior’s sister, Mary Alice Crawford nee Goodburn (1856-1948). Their father, George Goodburn the Chemist (1835- 1862) and mother, Margaret Farrington Goodburn nee Halliwell (1833-1868) both died when their two children were very young. The two orphans lived with their maternal grandmother Lydia Halliwell, and then, after her death, with their uncle Bartholomew Halliwell. Mary Alice Goodburn married Richard Crawford in 1878 and they had taken over the running of the Woolpack Inn from Mary Alice’s grandfather George Goodburn the Innkeeper (1805-1883). In 1881, George Albert Goodburn senior, who was lodging with his sister and brother-in-law at the Woolack Inn, was already working as a solicitor’s clerk. The Woolpack Inn is still operating in Penrith. It is located at the south end of Burrowgate, and can be seen below.
Again, for no obvious reason, Mary Alice and Richard Crawford with their three children all under 6 years of age emigrated from Penrith to Hamilton, Ontario in Canada in 1884, where they spent the rest of their lives. They had another eight children together, all born in Hamilton Ontario between 1885 and 1897.
So, by the first few years of the 20th century, George Albert Goodburn junior and Mary Isobel Goodburn had two groups of relatives who had become well-established in North America since about 1885. Their grandmother’s family was in Pennsylvania and their aunt’s family was in Hamilton, Ontario. The urge to join them was apparently irresistable.
The Third Wave of Goodburn Emigration
On 13th Nov 1907, brother and sister George Albert Goodburn junior, aged 21, and Mary Isobel Goodburn, aged 19, boarded the SS Friesland bound for North America. They disembarked in Philadelphia on 25th November 1907 and presumably stayed initially in Sewickley with their grandmother Elizabeth Taylor. In the 1910 US census, George Albert Goodburn is still boarding with his grandmother at 603 Broad Street, Sewickley, but his sister Mary Isobel is not with him. We next hear of her living in Hamilton, Ontario at 137 Maple Avenue. Sadly she was terminally ill with typhoid fever, and died there on 16th November 1911, with her brother George Albert at her side.
George Albert Goodburn seems to have stayed in Ontario until 1st December 1915, when he took a railway trip from Hamilton to Niagara Falls, New York, where he declared his intention to stay again with his grandmother in Sewickley, Pennsylvania. On 9th February 1917, he filed his application for US citizenship in Pennsylvania, and interestingly, he renounced his Methodism and was confirmed into the Anglican church on 30th March 1917 at St. Stephen’s church, Sewickley, Pennsylvania. At the next US census on 1st January 1920, he was still living with his grandmother at 603 Broad Street, working as a shipper for a furnace company.
Later in 1920, George Albert Goodburn moved to Medicine Lodge in Barber County, Kansas, where in that same year, he married Nellie Beatrice Wright (1889-1958). She had been born in England but had emigrated to the USA at six weeks of age. They lived together in Medicine Lodge until Nellie’s death on 27th September 1958. He was married to Minnie Pearl Johnson on 19th October 1959 in Medicine Lodge.
George held various jobs in the banking industry in Medicine Lodge, mainly with the First National Bank, before becoming the manager of a grain company. He lived at 98 West Kansas Avenue from 1935 until his death on 22nd December 1966. There were no children from either of George Albert Goodburn’s two marriages.
Not to be outdone by his two older siblings, the youngest brother, Ernest William Goodburn also traveled from Penrith to North America, but his movements were more complicated.
Ernest William Goodburn (1891-1986)
Ernest Goodburn first left Penrith in 1912, sailing from Liverpool and arriving at Halifax, Nova Scotia on 14 April 1912. This was the day before the sinking of the Titanic in nearby waters! Ernest stayed at 262 Wellington Street North in Hamilton, close to his Aunt Mary Alice Crawford’s family who lived at 8 Richmond Street South. As far as I can tell, his brother George Albert was still in Hamilton at that time. Ernest left Ontario on 24th August 1912, travelling by himself via Niagara Falls in New York state to stay with his grandmother Elizabeth Taylor in Sewickley, Pennsylvania.
Ernest returned to England and in 1916 joined the Cumberland-based 3rd Border Regiment, which saw service at home in England as a training battalion in the First World War. After the war, he left England again via Liverpool on 7th August 1919, arriving at Halifax, Nova Scotia on 17th August. He stayed again in Hamilton, Ontario, living at 11 Richmond Street, and the next year, on 19th June 1920 he married Ellen Mary Bennett (1891-1982) at Lincoln, Ontario, a town 40 km east of Hamilton. They lived in Hamilton until the end of 1927, when they moved in January 1928 with their young daughter Elizabeth to live in Pittsburgh, Pennsylvania, where their son William was born in 1929. Ernest and his family moved to Hartford, Connecticut sometime after the death of their son William in Pittsburgh in 1951. Ernest and his wife both died in Hartford and are buried there together.
All three children from the first marriage of George Albert Goodburn, the solicitor’s clerk from Penrith had permanently emigrated to North America. One wonders whether family tensions caused by his delayed second marriage had led to the departure of his first three children. However, this can’t explain why the children’s aunt Mary Alice Crawford and grandmother Elizabeth Taylor also decided to leave Penrith to settle in North America in the mid 1880s.
Religious History of the Goodburns
The religious history of this family is also worth a comment. From one of the earliest records I can find, which is the baptism of Thomas Goodburn on 10th February 1600, almost all of the births, deaths and marriages of the Goodburn family line have been recorded at St Andrew’s parish church in Penrith. St Andrew’s was the oldest and leading Anglican church in Penrith, being founded no later than the 12th century. The last Goodburn family record I can find at St Andrew’s is the baptism on 14th January 1855 of Albert Goodburn (1855-1857), the short-lived first son of George Goodburn the Chemist. The next four family events in Penrith are all recorded on the civil registry, but not in the registers of St Andrew’s church. These are the baptism of Mary Alice Goodburn in 1856, the death and burial of Albert Goodburn in 1857, the birth of George Albert Goodburn senior in 1859 and the death of George Goodburn the Chemist in 1862. George Albert Goodburn junior clearly identified himself as a Methodist, attended the Primitive Methodist Sunday School and eventually converted from Methodism to Anglicanism in 1917. His brother Ernest recorded himself to be a Baptist in Pittsburgh in 1951.
It seems to me that the best explanation is that George Goodburn the Chemist converted to Methodism around 1855-1856, and that his children and grandchildren all followed suit. One really interesting element in the choice of the Sandgate Head Primitive Methodist Sunday School for George Albert Goodburn junior, and perhaps his siblings, is proximity. The family lived at 19 Sandgate Head, Penrith. It is a simple 5 room house that is still standing at the top of Sandgate, and is almost the closest house to the Sandgate Head Primitive Methodist church. It would literally be a 15 second walk from one building to the other.
In this recent picture taken from Google Street View, 19 Sandgate Head can be seen as the light lilac-tinted house on the right hand end of the terrace. These three houses seem to be the last survivors on this street from the 19th century. In the lower panel, the former Sandgate Head Methodist chapel can be seen on the right hand end of the picture, just a few steps beyond beyond the row of houses containing 19 Sandgate Head.
This exploration of the Goodburn family of Penrith and the Miles and Miles edition of Macaria has provided an insight into one set of family upheavals and migrations of a kind which was not uncommon in late 19th and early 20th century England. The information, both bibliographical and social, that I have uncovered in association with the book seems consistent with a publication date of 1899 – 1902.
George Albert Goodburn would have been around 15-17 years old when he was awarded the book as a prize. One wonders whether reading a book that glorified the Confederate Army in the American Civil War, at such an age, had any small part in George’s decision to emigrate to America.
I purchased the book from a second hand bookshop in Carlton, an inner suburb of Melbourne, Victoria in September 2007. How it made its way from Penrith, perhaps via Ontario, Pennsylvania or Kansas to Australia will I suspect, remain a mystery. There is however one possible explanation.
George Goodburn the Chemist had a younger brother, John Ambrose Goodburn (1838-1919), who lived in Penrith up until 1911. Sometime after 1911 he moved with his wife and two daughters to Salford near Manchester, where he died in June 1919. In December 1922, his widow Mary Ann and his two daughters boarded the SS Ballarat in Liverpool and emigrated to Sydney, Australia. Mary Ann Goodburn died in Sydney in 1930 and her too daughters, who never married, also died in Sydney, Mary Goodburn in 1946 and Theresa Goodburn in 1970.
It is possible that George Albert Goodburn gave his Macaria to his great uncle John Ambrose Goodburn or to one of his second cousins, Mary or Theresa Goodburn in Penrith, before his emigration to the USA with his sister in 1907. The two girls would have been 25 and 22 years old in 1907, close in age to George Albert Goodburn who was 21. They were living at 13 Meeting House Lane, just a few houses west of 19 Sandgate Head. The book could then have traveled to Sydney with the Goodburn family in 1922 and been lost from the family after the death of its last surviving Australian member Theresa in 1970. A nice plausible theory, but I have no direct proof whatsoever.
In the previous post, Price and Provenance 6, I discussed some of the Routledge Editions of Macaria as well as other titles by Augusta Jane Evans Wilson, and showed how the page count for Macaria was, at 380 pages, identical to the Miles and Miles edition, further supporting the notion that the Miles and Miles edition was printed from Routledge stereotype plates. I also noted that there were 7 copies of Routledge editions of Macaria on offer via Abe Books. One of those copies was offered by a local Victorian (Australia) online book dealer whom I have bought books from before. The asking price was modest and the description was slightly vague, but did include a mention of no date, 380 pages, chapter vignettes and the phrase “Cover faded and scuffed in places”, so, sight unseen, I ordered the book on April 9th 2020.
It arrived today, 16th April 2020, and here it is, in all its glory, in Figures 1 and 2. The condition of the cover was all that was promised.
Several things were immediately apparent. The design on the binding, while it is clearly different from the Miles and Miles binding, does show some similarities, with the title at the top of the top board in a rectangular cartouche, and an overall design that is floral in nature. The appearance of the text block, as exemplified by page one, shown in the left hand panel of figure 2, is identical to that of that of the Miles and Miles Macaria, including an identical decorative vignette at the top of the page and the number 7 at the bottom centre of the page. The words on the title page (Figure 1, right hand panel) are identical to the text of the Miles and Miles edition, except for the publisher’s name and address, but the layout of the text is slightly different. Neither of the title pages is dated. There is a wood engraving as the frontispiece for the Routledge edition, but no illustrations in the Miles and Miles edition. The frontispiece is signed “Geo. G” in the bottom left hand corner, but again, there is no date. The final pages of the text blocks are identical for the two books, down to the detail of the final ornamental floral vignette, except for the identification of the printer of the Routledge edition at the bottom of page 380. It reads “BILLING AND SONS, PRINTERS, GUILDFORD.” This exactly matches the printer identified in WorldCat for the later Routledge edition of Macaria.
To assist with visual comparisons, the binding, title pages and first and last text pages of the two editions are presented side by side in Figure 3, with the Routledge edition on the left and the Miles and Miles edition on the right.
All of these observations confirm that these two books have been created from the same stereotype plates. Overall, the Miles and Miles edition appears to have been a higher quality production than the Routledge edition, both in the printing and the quality of the binding and the paper, notwithstanding the poor condition of my copy of the Routledge edition.
The search on WorldCat reported in Price and Provenance 6 revealed a scarce Routledge edition (one copy known) published in 1892. It also listed many copies of my edition, clearly as a later reprint, appearing at some time after 1900. On the lower right of the top board, we see printed “The Augusta Evans Wilson Series”, suggesting that the book is part of a later set of collected reprints. From the wear on the printed pages, it may well have been printed from the common stereotype plates after they were used to print the Miles and Miles edition. I can put some tentative limits on the dates. From the appearance of the title page, particularly the form of the address and the lack of the Routledge colophon, the Routledge edition seems to have been printed between 1900 and 1902. This would provisionally date the Miles and Miles edition to perhaps 1898-1899.
A Helpful Signature
As part of my examination of the Routledge Macaria, I looked for any other clues to the date of publication. There is a block of four pages of publisher’s advertisements, but after examining the titles, they are all 19th century books. One of the listed books is dated as a 12th edition of September 1897, implying that this edition of Macaria was published in 1898 at the earliest.
On the top of the front paste-down, there is a faded hand-written name “B.V. Inglis Alvie”, but no date. It is shown in Figure 4. below.
My initial thought was who could this B. V. Inglis Alvie be, when I noticed the gap between Inglis and Alvie. A Google search for “Inglis Alvie” revealed that an Inglis family had lived in Alvie, a small town near Colac in the Western District of Victoria, Australia. Further research revealed that a Thomas Gordon Inglis of Alvie had been killed on August 3rd 1915, during the Gallipoli campaign of World War I. A search on Ancestry.com for Thomas Gordon Inglis of Alvie soon revealed his older sister Barbara Victoria Inglis (1887 – 1972), who lived her whole life in the Colac area, mostly at Alvie. She married a Leopold William Wallace in 1911. On both the 1909 and 1912 electoral rolls for Corangamite, the electorate which still covers Colac and Alvie, she is shown as living, firstly with her parents, and then with her husband, both times at Alvie.
The signature is helpful, even without a date, as after 1911 she was no longer Barbara Victoria Inglis, but had become Barbara Victoria Wallace, so she would no longer have written her name as Inglis. This clearly dates the book to no later than 1911, and is consistent with the notion that Macaria was published in the first few years of the 20th century. The Victorian book dealer from whom I bought the book is located at Skipton, in the Western District of Victoria, about 85km north of Alvie. It would be interesting to know if they obtained the book locally.
My Routledge edition of Macaria clearly looks like a fairly cheap production. The four pages of advertisements bound into the back of the book are described as “George Routledge’s Juvenile Catalogue”, and presents books at two different prices. First of all, there were Gift Books for 7s. 6d., described as “In large crown 8vo., profusely illustrated with plain and coloured plates, and tastefully bound in cloth gilt or gilt edges.” There were also three other categories of cheaper books described, each of them offered at five shillings:
Five Shilling Gift Books, described as “Large crown 8vo., with many illustrations, plain and coloured, and in attractive clothbindings.”
Pleasant Sunday Afternoon Books, described as “Well printed on good paper, page llustrations, elegantly bound in cloth gilt.”
Five Shilling Picture Books, described as “Printed in colours by Edmond Evans, and tastefully bound in picture-boarded covers designed by the artists.”
All of these books sound like much better productions than my Macaria, and I think that the Macaria would be more likely to have been priced at 2s. or 2s. 6d. The Five Shilling Picture Books that were advertised were the famous four “Pictures from the Graphic” volumes illustrated by Randolph Caldecott. These were all very attractive books, published by Routledge between 1886 and 1890. Interestingly, one of the titles listed under the Pleasant Sunday Afternoon Books is At The Mercy of Tiberius by Augusta Evans Wilson. It sounds like a better production than Macaria.
The final point worth considering is how did such a book get to a small settlement in the Western District of Victoria in the first few years of the 20th century? Some London publishers, such as Ward Lock, Cassell, Collins and William Inglis (ironically!), had offices in Melbourne, the centre of Australian publishing in Victorian and Edwardian times. Routledge did not have an Australian office at that time, so their books would have been ordered from London and imported by individual booksellers or possibly a wholesale supply house. It would mean at least a six month delay between publication in London and availability in Australia.
UPDATE 27 May 2020
I have since purchased another book from the same book dealer, a copy of Women of Israel by Grace Aguilar, published by Groombridge and Sons in 1876. My interest in this book is an attempt to learn more about Groombridge and Sons’ publishing of fiction, as they were mainly publishers of natural history, horticultural and agricultural works, with a few religious books thrown in for good measure. Groombridge was the publisher of my illustrated Mansfield Park featured in Price and Provenance 10. For more on Groombridge and Sons, see my page Groombridge, publishers.
The owner of the bookshop from which I purchased the Routledge Macaria and the Groombridge Women of Isreal has sent me the following information on how he obtained the two books. Many thanks to John Orton of Black Stump Books, Skipton, Victoria, Australia. Email: email@example.com
“Apropos your purchase of Macaria and Women of Israel. For your records, you may be interested to know that we acquired both these and many other titles at an auction in Colac, about a decade ago. The auction was held at 39 Gravesend Street, Colac, the residence of the Bassett family. The last occupants of the house were Bromwyn and Valerie Bassett. They were elderly twin sisters, who were avid book collectors. After the death of the last of the twins the home and contents were put up for auction.”
Barbara Victoria Wallace nee Inglis was the previous owner of the Macaria. Her final address in Colac before she died was (ironically) 2 Inglis Court. If you look at the map of the southern part of Colac shown below in Figure 5, you can see that Barbara Victoria Wallace and the two Bassett sisters were very close neighbours, as their two houses are within about 50 metres of each other. In 1972, Valerie Bassett was living in East Hawthorn in Melbourne, but her sister, Irene Bronwen Bassett to give her full name, was living at 39 Gravesend Street with her widowed mother, Clare Irene Bassett nee Sitlington. Bronwen seems to have moved back from East Melbourne to Colac following her father’s death in 1970. She would have been on hand to buy books from the estate of Barbara Victoria Wallace following her death in Colac in 1972. This provides one possible explanation of the line of provenance of the Routledge Macaria.
The Bassetts are an interesting study in family history. I have spent a day exploring them online and have identifed many members of the family at large, including all 16 great-great-grandparents of the two sisters, who were not twins, but were in fact Irene Bronwen Bassett (1920-2013) and Valerie Farndale Bassett (1921-2013). They lived to be 93 and 92 years old respectively and died within three weeks of each other in December 2013.
It will be interesting to find out if there was any other relationship than proximity between the Bassett sisters and Barbara Victoria Wallace nee Inglis.
In the next post, I will consider the prior ownership and provenance of the Miles and Miles Macaria.
In this post, I am examining the identity, origin and provenance of my copy of Macaria, which was published by Miles and Miles and is shown in Figure 1 below.
Who was Augusta J Evans Wilson?
Augusta Jane Evans was born on 8th May 1835 in Columbus, Georgia in the USA, the eldest of eight children of Mathew R. Evans and Sarah Evans nee Howard. She was born into a wealthy and prominent family. There seems to be no record of her attending school, but she remarked later in her life that she had been a very early and prolific reader as a child. The family fortunes suffered when her father became bankrupt early in her childhood, forcing the family to move, first to Alabama and then, in 1845, to San Antonio, Texas, before returning to Mobile, Alabama in 1849. San Antonio was very much a military outpost in the 1840s following the US-Mexico war, and the romance of the military life inspired Augusta to write her first book, Inez, A Tale of the Alamo in 1850, when she was just 15. This set the tone of much of her writing in later life, when she became known as the sympathetic voice on behalf of the Confederate army during the American Civil War. Inez was published anonymously in 1855, and was followed by her second book, Beulah, which was published under her own name in 1859. The book was so successful that she was able to buy a house called Georgia Cottage with the proceeds.
It was in Georgia Cottage that she wrote her next two, and most famous books, Macaria, published in 1863 and St. Elmo in 1866. She followed this with Vashti, published in 1868, and then she married a retired Confederate Colonel, Lorenzo Wilson, who was more than 25 years older than she. All of her future books, and reprints of her earlier books appeared under the name Augusta J Evans Wilson.
Macaria was pure confederate propaganda, praising the sacrifices of Confederate women and glorifying the Confederate army. The Civil War caused difficulties with the publication of Macaria. It was first published in Richmond, Virginia, which was part of the Confederacy, but it was also published in New York, very much in Union territory, by the device of smuggling the manuscript from Alabama to New York via Havana in Cuba to beat the wartime blockade. Copies of Macaria were famously burned by some fervent Unionists.
Augusta Evans Wilson went on to publish several other book after her marriage, including Infelice in 1875 and At the Mercy of Tiberius in 1887, but none of her later books were as popular as Macaria and St. Elmo. A silent movie version of St. Elmo was made in 1914, but it has now been lost, except for a few promotional still images. Augusta Jane Evans Wilson died in Mobile, Alabama on 9th May 1909. She was reputed to be the first American woman to make more than $100,000 from her writing, a sum not surpassed until Edith Wharton became successful nearly 50 years later.
Three comments concerning the books of Augusta Evans Wilson
Firstly, an observation on Macaria. When I first bought the book, the title seemed familiar to me, but I could not quite work out why. Then I realised that it is mentioned in one of my all-time favourite books, Cold Comfort Farm, by Stella Gibbons. Cold Comfort Farm was published by Constable in London in 1932. It is a brilliant parody of a then popular style of rural novel, that glorified a down-beat, romantically earthy and doom-laden picture of life in English villages and farms that was typified by Gone to Earth, The House at Dormer Forest and Precious Bane by Mary Webb, all set in rural Shropshire. In Cold Comfort Farm, the heroine, Flora Poste is looking around the farmhouse and we hear that…
“Flora pounced on some books which lay on the broad window-sill: Macaria, or Altars of Sacrifice… She liked Victorian novels. They were the only kind of novel you could read while you were eating an apple.”
Altars of Sacrifice is indeed the subtitle of Macaria, and the neglected novel was clearly not completely forgotten, at least not by Stella Gibbons in 1932.
Secondly, I have referred earlier to in these blogs to the list of 100 books published by Lever Brothers that was recorded by Janine Barchas in The Lost Novels of Jane Austen. Several of the books on the list were also published by Miles and Miles, apparently using the same stereotype plates. Macaria was not on that list, but I noticed that five other books by Augusta Evans Wilson were on the Lever Brothers list: Beulah, St.Elmo, Vashti, Infelice and At the Mercy of Tiberius. If all of the Lever Brothers books were printed on stereotype plates obtained from Routledge, as both Janine Barchas and I suspect, then there ought to be a record of these titles published by Routledge, probably in the period 1883-1900.
Thirdly, on the title page of my Miles and Miles copy of Macaria, the author is credited with being the author of “Beulah,” “St. Elmo,” “Infelice,” etc. If Macaria was printed by Miles and Miles from stereotype plates from Routledge, then you would expect these three titles to have been published by Routledge as well. A larger copy of that title page is shown below in Figure 3., together with a picture of Augusta Jane Evans Wilson.
Taking both of the last two observations together, one would expect there to have been at least six books by Augusta Evans Wilson published by Routledge; the five titles listed by Lever Brothers and Macaria. So the next questions are, were the works of Augusta Evans Wilson published by Routledge, and if so, which titles?
Was Augusta Evans Wilson published by Routledge?
This question was approached by the same method outlined in Price and Provenance 5 for a similar investigation of my Miles and Miles edition of Captain Cook’s Voyages. I searched both WorldCat and AbeBooks.
On WorldCat I found 17 editions of books by Augusta J Evans Wilson or Augusta J Evans listed as published by Routledge. These 17 books were various copies of Inez (1892), Beulah (1891, nd), Macaria (1892), St.Elmo (1891, 1893), Vashti (1890,1891), Infelice (1891, nd) and At the Mercy of Tiberius (1893). The years of publication by Routledge are given in brackets; nd means no date indicated. Clearly all of the books of interest, plus the author’s first book, Inez, were published by Routledge between 1890 and 1893.
The 1892 Routledge edition of Macaria was only noted as a single copy held at The British Library. Interestingly, another copy of Macaria was listed as published by Routledge after 1900 and printed by Billings and Sons at Guildford. In contrast to the 1892 copy, there were 334 different libraries listed as having a copy of this edition. Both this later edition and the 1892 edition were listed as 380 pages, the same page count as my Miles and Miles edition of Macaria.
The AbeBooks search, performed on 10th April 2020, found only five books. These were Inez (1892), Macaria (2 copies nd), St. Elmo (1891), and Infelice (1891). One of the copies of Macaria gave a page count which was again 380 pages. There were no images of any of these books on the AbeBooks site.
These two searches have confirmed that Routledge published seven titles of books by Augusta J Evans Wilson between 1890 and 1893, including all the titles listed by Lever Brothers in 1897 and all of the titles listed on the title page of my Miles and Miles edition of Macaria. All of the Routledge editions of Macaria had the same 380 page count as the Miles and Miles edition.
I am left to conclude that all the evidence is consistent with the idea that the Miles and Miles edition of Macaria was printed from the Routledge stereotype plates, after the publication of the Routledge editions. I will need to see a copy of a Routledge edition of Macaria to see if the text block is identical with the Miles and Miles edition.
Miles and Miles and Miles and Miles and Miles and Miles
In the first few posts in this series, I have featured an edition of Jane Austen’s Mansfield Park published by Miles and Miles, a very poorly documented London publisher of Prize books, who seemed to be active during the Edwardian era. In this blog, I am looking at two other Miles and Miles books in my collection. The three Miles and Miles books that I have are shown in Figure 1 below. The top row shows the top board of the binding and the bottom row shows the end papers for the three books.
It is obvious from the appearance of these three books that the design of the top boards is identical for all three books, with the only difference being the background colour. Note that although the end-papers for the three books are all similar in style, they are in fact different in pattern and colour. For all three books, all of the page edges have been gilded, both to protect them from dust and to enhance the external appearance. This is generally referred to in book descriptions as a.e.g (all edges gilt), as compared with t.e.g. (top edge gilt) which is also commonly found in books of this period.
I would hope that everyone reading this would know that Jane Austen was the author of Mansfield Park. I doubt that many people would be able to identify the authors of the other two books, until they read a bit more of this posting.
There are many published accounts of Captain Cook’s three great voyages, and most of them are not written by Captain James Cook (1728-1779) himself, although they draw heavily on his own journals and other accounts, particularly that by Joseph Banks and John Hawkworth, which was first published in 1773, in Cook’s lifetime.
Macaria was a famous book in its day, but it has now been largely forgotten. Does anyone remember the author today? To put you out of your suspense, the answers are on the title pages of the three books, which are shown below in Figure 2.
The three title pages are generally similar in layout and look like a fairly plain standard title page of the Edwardian period. The publisher and address lines are identical on all three title pages and read “LONDON: |MILES & MILES | Foresters’ Hall Place, Clerkenwell Road, E.C.” There is no printed date of publication on the title page or anywhere else in the books. None of the books has a frontispiece or any other illustrations, nor are there any advertisements bound into the books or any identification of the name or address of the printer.
Macaria was written by Augusta J. Evans Wilson, whom we are told, was also the author of “Beulah,” “St. Elmo,” “Infelice,” etc. Captain Cook’s Three Voyages Around the World was written by Lieutenant Charles R. Low, who was “(Late) H.M. Indian Navy, Fellow of the Royal Geographical Society and Member of the Royal United Services Institute.”
In order to complete the documentation of the books we need to look at the text blocks. Macaria was published as 36 chapters printed in 380 pages. Captain Cook’s Voyages was published as sequential accounts of each of the three voyages, with no sub-division into chapters, in 512 pages. Mansfield Park was published as 48 consecutive chapters in 443 pages. This arrangement for Mansfield Park is quite common, although you also sometimes see it published with the text divided into three volumes, which was the arrangement in the first edition of 1814.
The first page of the text block is shown in Figure 3 below. It is apparent from these pages that Macaria and Mansfield Park both have a similar look, with a decoration at the top of the title page. A similar decoration is repeated at the top of the first page of each chapter in both books. Captain Cook’s Voyages does not have a decoration on the first page, nor on any of the subsequent pages.
Origin of the text blocks in these books.
It is clear from the images in Figure 3 above that Macaria and Mansfield Park are stylistically very similar, particularly in terms of the ornamentation at the top of the page. In these two books, there is also ornamentation at the bottom of the final page of each chapter. For Macaria, the chapter headings and the chapter ending designs are floral. For Mansfield Park, the ornamentation is classical in appearance with a range of different embedded emblems. It should also be noted in Figure 3 that Mansfield Park has a decorated initial capital to start every chapter, whereas Macaria has a plain initial capital.
In Price and Provenance 4, I showed that the Miles and Miles edition of Mansfield Park was printed from the same stereotype plates that were used to print Routlege and Sons’ 1883 edition of Mansfield Park, identified as Gilson E62, as well as the later Routledge “Steventon edition” of Jane Austen from around 1890.
Yet another variant of Routledge’s Mansfield Park Gilson E62
I have also recently acquired another “mystery” Routledge edition of Mansfield Park printed from those same stereotype plates, this time in a plain half-cloth binding of brown and black, and with a title page that differs from the “Steventon Editions” that I have shown in Price and Provenance 2, and the original 1883 edition of Gilson E62. This edition, indicated as part of “Routledge’s Edition of Jane Austen’s Novels” on the verso of the title page, also has a frontispiece which shows Edmond Bertram and Fanny Price with a necklace. This was described as the cover design of the original soft wrapper-bound Gilson E62, and was reported by Gilson to be present as a frontispiece of a cloth-bound variant edition of E62 at Harvard University’s Widener Library. Images of my new “mystery” edition are shown in Figure 4 below.
The title page gives the publisher’s details as “London| George Routledge and Sons, Limited |Broadway, Ludgate Hill | Glasgow, Manchester and New York”. From the information on my George Routledge Publisher page, this form of the publisher’s address suggests a publication date between 1889 and 1892. This is confirmed by the printer’s details on the bottom of the last page, which is given as “Woodfall & Kinder, Printers, 70 to 76 Long Acre, London W.C.” This address is indicative of the period 1888-1900. The frontispiece is clearly different in style as well as showing a completely different image from the slightly later Routledge edition shown in the left hand panel of Figure 5 of Price and Provenance 2. The book shown in figure 4 also had a four page block of publisher’s advertisements bound at the end. These are shown in Figure 5 below. An analysis of the books listed show that they were mostly first published much earlier than the 1890s. The latest one I can identify is Eighty-seven by Pansy, which was first published by Routledge in 1892.
From all of this evidence and the relative crispness of the printing, I would place this book as being published earlier than the Mansfield Park with the Sydney Carter frontispiece and the Routledge Colophon published between 1903 and 1906. Clearly the date 1892 is the most likely.
Janine Barchas, in her book The Lost Books of Jane Austen (2019), has identified several Miles and Miles books that were also printed and published by Lever Brothers between 1890 and 1897. She suspected that they were all printed from Routledge stereotype plates. She lists 100 titles that were advertised as published by Lever Brothers in 1897 on pages 107-108 of her book. Sadly for me, neither Macaria nor Captain Cook’s Voyages appear on that list. However, it is interesting that four of her 100 titles do appear in the list of the Pansy Books above. (They are Four Girls at Chatauqua, Little Fishers and Their Nets, Three People and The Chatauqua Girls at Home.) This again suggests a link between Routledge, Lever Brother and Miles and Miles when it comes to the use of the same sterotype plates.
Routledge editions of Macaria or Captain Cook’s Voyages
If my thesis is correct, then we should be able to find Routledge editions of Macaria by Augusta J Evans Wilson or Captain Cook’s Voyages by Charles Low. The easiest way to look for these is to search WorldCat.org; it is free, easy to use and searches the contents of tens of thousands of libraries world-wide. You can organise the return from the search to list the books found in order of the closeness of the library to your location. You may then to be able to interrogate the database of your local library to find out more about the book and also be able to call or reserve it for your inspection. I then followed up with a search of books offered for sale by Abe Books at AbeBooks.com to find images and details of copies of these books that might be examined or bought. In the remainder of this post, I will only examine Captain Cook’s Voyages.
Routledge editions of Captain Cook’s Voyages by Charles R Low
I searched for Captain Cook’s Voyage on WorldCat by clicking the Advance Search on the WorldCat home page, and then I entered “Routledge” in the keyword field, “Captain Cook’s Voyage” in the Title field and “Charles Low” in the Author field. I checked “Book” in the drop-down menu for Format, and then pressed Search. This returned details for seven different editions of Captain Cook’s Voyages by Charles Rathbone Low that were published by Routledge between 1880 and 1906. Each one was 512 pages, the same length as the Miles and Miles edition. In the entry in WorldCat on Charles Rathbone Low, nine different editions of Captain Cook’s Voyage were recorded between 1876 and 1906. I am not sure why there was this discrepancy.
I then searched for Captain Cook’s Voyages on Abe Books using the same three terms as I used for the World Cat search in the publisher, title, and author fields in AbeBooks advanced search form. This search returned 34 books, all published by Routledge, including several editions that were dated to between 1876 and 1879. There were several duplicates within the 33 books, and after looking through the list carefully and comparing it with the World Cat listing, I could identify nine or ten different versions, either impressions or editions, of Captain Cook’s Voyages published between by Routledge 1876 and 1910. All of them that gave a page count had text blocks of 512 pages.
There were quite a few different bindings on view on the Abe Books site which I show in Figure 6 above. These images are taken directly from the AbeBooks.com site. The green binding on the top left is the first edition of 1876. The brown and red decorated bindings in the middle of the top row are from 1880. The plain blue binding in the top right hand corner is from the Routledge series “Sir John Lubbocks 100 Best Books”, and is dated 1892. The light-coloured binding showing a tribal camp on the left side of the bottom row is dated 1895.The blue version of the same image is undated, but will be a reprint from about 1900. The light brown book with the white Art Nouveau image of a woman is undated but will also be around 1895-1900, and the right hand image on the bottom row is from 1906.
The first edition of 1876 had six spectacular chromolithographs as illustrations, as did the reprint of 1906. Most of the editions published in the intervening years have no illustrations, black and white illustrations or a single frontispiece only.
All of these Routledge editions have a text block of 512 pages, the same page count as the Miles and Miles edition. The inscription on the title pages of every Routledge edition that I have seen has the same description of the author’s background as the Miles and Miles edition; “(Late) H.M. Indian Navy, Fellow of the Royal Geographical Society and Member of the Royal United Services Institute.”. I have found no editions of this book issued by any other publishers during the period 1876 to 1910. This allows us to say that the Miles and Miles edition is derived from the Routledge plates, but does not particularly help us with its date of publication.
UPDATE on April 21st 2020. I have recently been able to examine the text block of the 1880 edition, shown in the red binding in Figure 6 above. It matches exactly the text block of the Miles and Miles edition of Captain Cook’s Voyages. This Routledge edition of 1880 will be the 4th Routledge printing, following editions, actually impressions, of 1876, 1878 and 1879. The Routledge book has a chromolithographic frontispiece, and the text block is of a much crisper and higher quality printing than the Miles and Miles edition. It was printed by Charles Dickens and Evans, Crystal Palace Press.
A clue to the date of the Miles and Miles Captain Cook’s Voyages
On the top of the title page of my copy of the Miles and Miles edition of Captain Cook’s Voyages is an ownership signature for Doris Kenyon written in ink (Figure 2 centre). It is repeated on the free front end-paper (ffep), together with a date in the same hand Aug 23, ’99. I tentatively interpret this to be 1899, rather than 1999, as the inscription is in neat writing using a pen and nib, not a ballpoint pen. This is consistent with the report by Janine Barchas of another copy of the Miles and Miles edition of Mansfield Park in the British Library with an inscription dated 1900. Janine Barchas suggested that the Lever Brothers books printed from the Routledge stereotype plates were produced between 1890 and 1897. This would imply a date of 1897 to 1899 for my copy of the Miles and Miles edition of Captain Cook’s Voyages.
I have tried to search for Doris Kenyon in family history records, but without details of where she lived, or whether Kenyon was her maiden or married name, and with no clue as to a possible birth date, other than before 1899, or is it really 1999?, there was very little hope of any positive identification. My simple search on Ancestry.com revealed dozens of possible Doris Kenyons in the UK and almost as many in the USA. I decided to stop looking.
A brief note on the author Charles Rathbone Low (1837-1918)
Charles Rathbone Low, was a author who specialised in writing about naval topics, both factual and fictional. He served as an officer in the British Indian Navy and wrote the standard history of that organisation, History of the Indian Navy, 1613-1863 , which was published in 1877, the year after his Captain Cook’s Voyages. The earliest book I can find by him is his Tales of Naval Adventure, a novel for juveniles published in 1857. He seemed to stop writing fiction by 1875, and spent the rest of his career writing military history and biography. Routledge published two of his best selling books: The Great Battles of the British Navy (1872) and Great Battles of the British Army (1908). Below is a brief biographical fragment on him from WorldCat.org:
“Charles Rathbone Low, like so many servants of the East India Company, came from an Anglo-Irish ascendancy family, with estates in county Galway. His grandmother was a daughter of the 4th Viscount Boyne, his grandfather served in H.M. 76th Foot, his father was a Major in the Bengal Native Infantry, and he himself married the daugher of a General. Charles was born at Dublin on 30th October 1837. He entered the East India Company’s Indian Navy in 1853 and saw active service against pirates.”
from The WorldCat.org “Identities” entry for Charles Rathbone Low.
In the previous two posts, we examined the identity and provenance of the two editions of Mansfield Park, both published by Routledge, shown in the left hand and central panel of Figure 1 below. In this blog I am examining the Miles and Miles edition shown in the right hand panel of Figure 1, which was established in Price and Provenance 2 to be published between 1900 and 1906.
There was no helpful information printed in the Miles and Miles edition to help with the establishment of a firm date, unlike the situation with the two Routledge editions. However, we do find a prize label on the front paste down. It is shown in Figure 2 below, along with the title page and the top board again.
The label is for a prize for regular attendance given by the Primitive Methodist Sunday School at Pye Nest, Halifax to Gladys Briggs in 1906. The label is signed by two superintendents, John Brearley and A. Mitchell Bell, and by the secretary, Fred Lacey. This is a wealth of information that can help us to work out where and when the book was awarded. As in the previous examples, I am showing the process which I use for this sort of investigation.
The first thing to note is that the date, 1906, written at the top of the label gives us the latest possible year of publication for the book, and confirms the suggested range 1900 – 1906. Now let’s look for the place where the prize was given.
Firstly, we need to establish exactly which Halifax this is, as there are several places called Halifax such as:
Halifax, West Riding of Yorkshire, England
Halifax, Nova Scotia, Canada
Halifax, Queensland, Australia
Halifax in Kentucky, Massachusetts, Missouri, North Carolina, Pennsylvania, Vermont and Virginia in the USA.
and probably several others as well.
Fortunately, Pye Nest gives us the answer as this. Pye Nest was an outer south-west suburb of Halifax in Yorkshire in the last part of the 19th and first half of the 20th century. The area is now found between the A58 Halifax – Rochdale Road, bounded by the River Calder to the south and the A646 Skircoat Moor Road to the east. Already, in the first years of the 20th century, the area was beginning to lose its original name and identity and was being subsumed into the neighbouring suburb of King’s Cross. Pye Nest does still exist, and the name is retained today by a cluster of road names in the area, such as Pye Nest Road (A4162) and the residential streets Pye Nest Drive, Pye Nest Gardens, Pye Nest Avenue, Pye Nest Grove and Pye Nest Rise. The following section of a map for Halifax (Figure 3) from 1907 shows the Pye Nest area.
The name Pye Nest supposedly originated from magpies roosting in a small wood on the site, and there is a large park to the west still called Crow Wood Park. The name Pye Nest was given to a famous country house built on the site in 1767 for the Edwards family by the noted York architect John Carr. The last member of the Edwards family died in 1932 and the house was demolished in 1935. Fortunately, there is an impressive engraving of the house published in 1855.
Halifax was an important wool industry town throughout the 18th and 19th centuries and the first part of the 20th century. It had many wool and worsted mills which employed thousands of workers, who lived in areas like Kings Cross and Pye Nest.
Primitive Methodist Sunday School
In towns like Halifax in the north of England, Methodism, which had been effectively founded by the brothers John and Charles Wesley in 1738, became very popular among the mill workers between 1760 and 1820. The Primitive Methodist movement was founded in 1810 as a breakaway from the mainstream Wesleyan movement, particularly in the mill town areas of Yorkshire and Lancashire. Their first chapel or church was opened in 1811 at Tunstall, Staffordshire.
The Primitive Methodists held that the mainstream Wesleyans had strayed from the purity of the original tenets of the movement, as expounded by the Wesley brothers. In Halifax, by the beginning of the 20th century, there were several Primitive Methodist churches, several traditional Wesleyan Methodist Chapels, and breakaway groups like the Methodist New Connexion movement mentioned in Price and Provenance 3. This was largely resolved by a coming together of all the different Methodists to form The Methodist Church of Great Britain in 1932.
All branches of Methodism in the UK have embraced education, particularly of the children of factory workers. The Methodist Sunday Schools were providing much more than religious education; they were teaching basic literacy to children at a time well before the Education Act of 1870 mandated primary school education up to the age of 12 for all children. The Sunday School was particularly important, as many children were working for the other six days of the week.
Pye Nest Primitive Methodist Church
The Pye Nest Primitive Methodist Church was founded relatively late in the history of the movement. The foundation stone of the church had the date 27 July 1901 engraved on it, and the church started its activities in 1902. The church was built at 1 Edwards Road, which runs between Pye Nest Road and Upper Washer Lane. Its position is indicated by the yellow marker pin on the map in Figure 3. It no longer operates as a Methodist Church, and from 1996 has been the Pye Nest Day Nursery. The Calderdale Records Office holds the register of marriages recorded at the Pye Nest Primitive Methodist Church from 1925 to 1965. Presumably, the church continued to operate within the mainstream Methodist movement after the amalgamation of 1932, until at least 1965. A History of the Pye Nest Primitive Methodist Church, 1902-1932 was written by a John Brearley, but I have not been able to find a copy.
As a book collector, I have always taken an interest in prize books, and have noticed that the Methodist Church, in all of its sub-denominations, has been very active in the giving of prizes for attendance and performance at its schools, particularly its Sunday Schools. I will now continue in this blog to see what can be found about the people identified on the prize label.
Gladys Briggs was the recipient of the Miles and Miles Mansfield Park as a prize for attendance in 1906. It seems at first sight like a handsome book, due the ornately decorated binding, but the print quality and paper quality is rather poor. I estimate that the book would have cost one or two shillings, which is the normal range for prize books at that time.
Gladys Briggs seems a reasonably uncommon combination of names, but a search on Ancestry.com for women and girls called Gladys Briggs living in the Halifax region between 1901 and 1911, the dates of the two closest censuses to the award of the prize, yielded quite a few candidates: I list the main ones here with their birth year and quarter from the registration records, derived from both the census data and birth registers. Note that, typically, birth registration occurs sometimes in the same quarter as the actual birth and sometimes in the following quarter.
Gladys Edith Briggs, b Q3, 1892 in Halifax.
Gladys Mary Briggs, b Q3 1895 in Bradford but living in Halifax in 1911.
Gladys Briggs, b Q4 1895 in Halifax.
Gladys Briggs, b Q1 1896 in Halifax
Gladys Briggs, b Q2 1896 in Halifax
Gladys Briggs, b Q3 1897 in Halifax
Gladys Briggs, b Q2 1898 in Halifax
Gladys Briggs, b Q3 1898 in Halifax
Gladys Briggs, b Q2 1900 in Sowerby Bridge, a town about 2 km SW on Pye Nest Road
Gladys Briggs, b Q2 1900 in Halifax
The age range of these ten girls called Gladys Briggs ranges from 6 to 14 years. Surprisingly, there were no records that I could find for anyone called Gladys Briggs born between 1885 and 1890, and living in Halifax between 1901 and 1911. There were several born after 1900, whom I discounted as being infants in 1906.
I next looked at matching the birth records with the addresses in the two censuses and found that they lived quite widely distributed across the Halifax urban area. None of them lived in Pye Nest, but the closest was number 4 in the table above, who lived the same address in Kings Cross in 1901 and 1911, 8 Ackroyd Terrace Kings Cross. Ackroyd Terrace is a small cul-de-sac that is less than 200 metres from the site of the Pye Nest Primitive Methodist church. Ackroyd Terrace was possibly named for James Ackroyd and Co., a long established wool and worsted mill in Halifax. A later owner, Lieutenant Colonel Edward Ackroyd was a noted citizen of Halifax in the later 19th century, and there is a statue of him in front of All Saints Church which is still there today.
The next nearest candidate was the Gladys Briggs (9) born in Sowerby Bridge. She lived about 2km from the Pye Nest church, but probably would have attended church or chapel in Sowerby Bridge.
I decided to investigate Gladys Briggs (4) of 8 Ackroyd Terrace in greater detail.
Gladys Briggs (4) was born on 25th October 1895 in Halifax. She was the youngest of the six children of Miles Briggs (1861-1945) and Mary Ann Briggs nee Broadbent (1862-1935); both of her parents were descended from Methodist families and both were buried in the Methodist section of the Calderdale cemetery. In the 1911 census, the 15 year-old Gladys was living at home at 8 Ackroyd Terrace with her parents and her 19 year-old sister Annie Louise Briggs (1891-1962); Gladys was described as a Long Wool Weaver and Annie as a Comb Minder, both working in a Wool Factory. Their father was described as a Joiner and Carpenter.
In 1916, Gladys Briggs was training as a nurse at the Leeds Township Infirmary in Beckett Street, where she was living in the nurses’ quarters. She was certified as a nurse in 1920 at Leeds, and remained working and living at the Infirmary until 1923. On 16th March 1923, she was registered as a fully qualified nurse by the General Nursing Council. This is very useful in tracking her movements, as she had to re-register as a nurse every three years, and each new registration records her current residence and gives her name and her date of original registration.
In 1925, she was working as a nurse in the Crossland Moor Infirmary in Huddersfield, and by 1928, she was back in Halifax, working as a nurse and living with her parents at their new address 38 Undercliffe Terrace, Kings Cross. This is only 400 metres from 8 Ackroyd Terrace. She remained living there with her parents until her mother’s death on 14th August 1935. By 1937, she had moved to south-eastern London, living at Flat 1, 159 Woolacomb Road, Kidbrooke in Greenwich, still registered as a nurse. In the 1939 small census, she was still living in the flat, which she shared with a Mary Hannah Sutcliffe. Gladys was described as a Sanitary Inspector and Mary as a Health Visitor.
Gladys remained at the same address, still registered as a nurse until her death on 16th June 1943 at the Lambeth Hospital in Southwark, at the age of 47. I don’t know the cause of her death, but it is known that the Lambeth Hospital was hit on several occasions by bombs during World War II, and that, as a consequence, more than 20 staff members were killed between 1940 and 1944. I would need to see her death certificate to investigate this further.
Her body was returned to Halifax, where she was buried in the same Methodist cemetery as her mother on 19th June 1943. Her father was buried there two years later in 1945. When probate was granted on Gladys Briggs’ estate, the executors were Mary Hannah Sutcliffe and Gladys’ brother George Briggs. I have not been able to find any photographs of Gladys Briggs. The closest I can get is a small picture (Figure 5) of her older sister Ethel Broadbent Briggs (1882 -1938).
I have been able to trace the Briggs family back through four more generations to a James Briggs, who was baptised on 30th October 1758 at Ripponden in Yorkshire, a small village to the south-east of Halifax. In fact, most of Gladys Briggs’ ancestors lived in the small villages and towns of Ripponden, Greetland and Elland which are all within 5 km of each other, and are 3 to 5 km to the south or south-east of Halifax. Presumably it was the prospect of work in the mills and factories which drew them into the bigger town of Halifax. Many were weavers. presumably working individually in their villages before they became factory hands. You can see from their inability to sign their own names on their wedding banns or certificates that many of them were illiterate. I can’t tell if Gladys Brigg’s parents were able to sign their wedding papers in 1882, as the certificate was not available on line. They were born a little too early to get the full benefit of the 1870 Education Act, and lived in small villages in their childhoods.. Gladys’ grandfather, Edwin Briggs signed his marriage certificate in 1858 with a cross, whereas his wife, Mary Ann Thomas, could sign her own name. Both Edwin and his son Miles Briggs were brought up in the village of Greetland, but Mary Ann lived in Halifax. Gladys Briggs must have been literate, or else she could not have become a nurse.
We can never know what Gladys thought of Mansfield Park, nor even whether she read it. There is, however, another name, C. Marsh, written with a black ball point pen on the ffep of the book. There is no other information on C. Marsh; one can only conclude that he or she owned the book after Gladys Briggs, presumably sometime after 1946, when the ball point pen was first available in the UK. I bought the book from a dealer in Brighton, Sussex in 2015.
John Brearley, Superintendent of the Pye Nest Sunday School
John Brearley was the one of the superintendents to sign the prize label. I mentioned earlier a the history of the Pye Nest Primitive Methodist Church written by a John Brearley. Surely, these two men must be the same John Brearley. There were seven men called John Brearley living in Halifax between 1901 and 1911, but this time, we have an extra aid to his identification. The 1911 census of the UK was the first one to be filled in and signed by each head of household. Since we have John Brearley’s signature on the prize label, then a comparison of the signature on the label with the signatures on the 1911 census forms, which can be viewed on line, will allow us to identify the correct John Brearley.
When I went through this process, there was one very clear match, and that was John Brearley (1868 – 1944), a hairdresser living at 68 Kings Cross Road Halifax. He was from a Methodist family and married to Annie Elizabeth Culpan (1872-1938), also from a Methodist family. His parents lived at Spring Edge, a street within 250 metres of the Pye Nest Primitive Methodist church, and 68 Kings Cross Road, where he lived from 1901 until 1916, was less than 500 metres away from the Pye Nest chapel. It was also on the direct tram route to the church. This was not without hazard, as in 1907 there was a tram accident on Pye Nest Road, when a tram overturned, killing three passengers.
John Brearley’s address from 1916 until 1938 is not known. From 1938 until his death in 1944, he lived at 1 Plane Tree Nest, about 250 metres north of the Pye Nest church. I have no doubt that this is the John Brearley who signed the prize label.
There is a surviving memorial to this family. John and Annie Brearley had two sons. The eldest, Cyril, married and moved to Preston in Lancashire where he died childless in 1966. Their younger son, Eric Brearley (1905-1997) did not marry, and lived his whole life in Halifax. He gained local fame as a keen cyclist and supporter of cyclists and their clubs, and is remembered by a memorial that stands next to one of the main cycling paths in Halifax.
A Mitchell Bell, Superintendent of the Pye Nest Sunday School
“A Mitchell Bell” seems like a relatively easy name to find, even though the gender is not clear. A simple search on Ancestry.com for this name for a person living in Halifax between 1901 and 1911 only yielded one result. Arthur Mitchell Bell (1868-1944) was a Head Teacher of Textiles who was living at 56 Stanley Road, Halifax in 1911. His signature on his 1911 census return, which he signed in full as Arthur Mitchell Bell, is an excellent match with the “A Mitchell Bell” signature on the Mansfield Park prize label.
Arthur Mitchell Bell was born on 1st May 1868 in Churwell in Yorkshire, which was a village between Morley and Leeds, as the illegitimate son of Mary Ann Bell and John Mitchell. His name on his birth registration was given as Arthur Bell. John Mitchell and Mary Bell married on 25th December 1868 in Churwell and had another son, Hartwell Mitchell, who was born there in mid 1869. Both Hartwell Mitchell and Arthur Bell were baptised on 16th January 1870 at Morley, Yorkshire, and even though his parents were now married, Arthur was baptised as Arthur Bell against his mother’s name as illegitimate, while his younger brother was simultaneously baptised against his father’s name as the very next entry in the church register.
John Mitchell, who was a coal miner, was killed along with 33 others, in a gas explosion in the Ackroyd Brothers Colliery at Morley on 7th Oct 1872.
Arthur Bell was calling himself Arthur Mitchell Bell by 1891, and in 1901 was a textile teacher at a School in Churwell. He was married 8th August 1903 at the Prospect Methodist Chapel at Holbeck, a suburb of Leeds, and he must have moved to Halifax, between 1903 and 1906, when he was a superintendent of Pye Nest Primitive Methodist Sunday School. He lived the rest of his life at Halifax and was buried there on 3rd January 1944, in the same Methodist cemetery as Gladys Briggs, about six months after her.
Fred Lacey, Secretary of the Pye Nest Sunday School
Fred Lacey was born in Halifax on 30th December 1883 to Harry and Mary Ann Lacey. He was baptised on 25th May 1884 in the parish of St James in Halifax. In the 1891 census, the family was reported to be living at 11 Joy Street, Skircoat, Halifax, in the Parish of St Paul’s, which was within one km of the Pye Nest church. The family moved to Bradford and was reported there in the 1901 census, but was back in Halifax by the time of the 1911 census. Fred Lacey was living with his parents in Bradford in 1901, but was not back in Halifax with them in 1911. In fact, by October 1906 he had emigrated to Pennsylvania in the USA, via Ontario in Canada. He lived the rest of his life in Pittsburgh, Pennsylvania, where he died on 22 Dec 1963.
Fred Lacey’s tenure as secretary of the Pye Nest Sunday School must have been very short if he had been living in Bradford in April 1901 and had moved to the USA by October 1906. He also was only 23 years old in 1906. However, he was the only Fred Lacey in the area at the time, and he recorded himself as a Methodist from Halifax on two later US census forms. All of this suggests that the presentation of the book to Gladys Briggs must have occurred earlier in 1906 than October. One possibility could be at the end of the school year in June 1906, but I have no real evidence for that.
So, in conclusion, I hope this shows how part of the story of a particular community of more than 100 years ago can be gleaned from an investigation of a simple book prize plate. From my perspective, this adds a great depth of human interest to collecting old books.
Having established as much as possible from the printed information in books, the next step is to use information left in books from previous owners. This is most commonly from ownership inscriptions, bookplates, gift inscriptions or prize and award labels. But rather than just focusing this step on the book itself, particularly on the dating of a book, I like to follow up with an investigation on who, exactly, the previous owner was. Where and when did they live? What was the circumstance of their acquisition of the book? As examples of my approach, we will return to the three editions of Mansfield Park that I examined in part 2 of this blog.
Where to look for ownership information
Normally, we look at the blank pages bound into the front of the book or sometimes the back of the book for evidence of previous owners. We call the pages bound in before the text block the preliminaries, often abbreviated as “prelims”. The first page, which is glued down to the front board of the binding is called the “paste down end paper”, although it is now more frequently called the “front paste-down” The next blank page is called the “free front end paper”, often abbreviated as “ffep“. At the back of the book, the equivalent pages are called the “rear paste down” and the rear free end paper”. The other places where inscriptions commonly occur are on the title page, on the half-title page, if present, or on the recto page which has the frontispiece on the verso. The half-title page is found between the ffep and frontispiece and the title page and usually has the title of the book printed on it and sometimes the name of the series that the book forms a part of, is such is the case. Half titles were very common in the 19th century and less common in the 20th century. Sometimes, prelim pages may be missing from the book. This is often because a previous owner has wanted to remove the name or inscription from a earlier owner. This desire also can result to a small piece being cut from the prelim page, generally the ffep, to remove the name of a previous owner. I strongly disapprove of this practice and of the removal of bookplates!
If we examine the Routledge “The Ruby Series” copy of Mansfield Park from 1876 shown in the left panel above, we find that there is a ffep, a half-title page which reads MANSFIELD PARK, a frontispiece and a title page, shown in the previous blog. However, there are no inscriptions, bookplates or labels, so we really can not find out anything about previous owners. One should note that the end papers are a dark brown colour, which would not carry a legible inscription unless it were written in a very light colour or in white.
The Routledge Mansfield Park in the central panel, which was shown to be a reprint of Gilson E62 from 1903-1906 in the previous blog, has white end-papers, no half-title, a frontispiece and a title page. However, it also has a hand written gift inscription on the front paste down Figure 2.
The inscription reads “Presented by The Managers of the M.N.C. Sunday School Westwoodside to George Henry Maw May 20 – 1906.”
This inscription is almost ideal in terms of investigating the provenance of the book. Firstly, the date is precise, 20th May 1906. This means that the book must have been printed and published prior to this date. This confirms the idea that the book was published between 1903 and 1906. It is also interesting to note that 20th May 1906 was a Sunday. (You can look this up on an online perpetual calendar.) This is not surprising as the book was presented by a Sunday School.
The other two things that occurred to me when I first saw this inscription was that the place identified, Westwoodside, is unambiguous and, perhaps, an unusual place name. Secondly, George Henry Maw is a precise, full name and Maw is an unusual family name. It is much harder to trace the provenance of a book that is inscribed ” To Fred from his favourite Auntie” – I do possess a book with exactly this inscription.
Typing “Westwoodside” into Google returns the Wikipedia entry for Westwoodside as the first item listed. It reveals that “Westwoodside is a small village in North Lincolnshire, England. It is situated within the Isle of Axholme and 7 miles (11 km) north-west from Gainsborough.” In the map of the Isle of Axholme below (Figure 3), it can be seen that the “Isle” is in fact a tract of low lying farmland that sits between the River Don to the west (not shown) and the Trent to the east. In fact, the Isle of Axholme can best be thought as occupying a triangle defined by Doncaster (Yorkshire), Scunthorpe and Gainsborough (both in Lincolnshire).
What is the M.N.C. Sunday School?
The book was presented by the “M.N.C. Sunday School Westwoodside.” Typing this phrase into Google returns an article on Alexander Kilham and Epworth. The first sentence of the article states “Alexander Kilham the founder of the METHODIST NEW CONNEXION was born in Epworth in 1762, and the family business was sackcloth weaving.” You can see Epworth on the map above, a few km to the north-east of Westwoodside. M.N.C. is clearly Methodist New Connextion, a breakaway form of Methodism that spread from Epworth to nearby villages like Westwoodside. The article also has two pictures. The second one, shown below in Figure 4, shows the M.N.C. chapel at Westwoodside, together with its congregation in 1905! The image was from a contemporary postcard which has survived.
Could one of the men or boys in this picture be George Henry Maw?
I have found a second picture of the Westwoodside MNC chapel on another postcard, undated but clearly of the same period (Figure 5).
George Henry Maw
Approaches to Family History Research
In order to find out more about George Henry Maw, we need to enter the realm of family history research. I use several of the commercial websites for this, including The Genealogist, Findmypast.com and Ancestry.com, as well as the free site Family Search which is run by The Church of the Latter-day Saints (the Mormons). All of these sites are easily found online.
My preference is Ancestry.com which I have been using for more than a decade to research my own family history. It also proves to be an invaluable tool in researching authors and previous owners of books. It does involve an annual subscription, but you can often also access it if you join a local genealogical or family history society.
To start the search, you enter what you know. I entered that George Henry Maw was male, alive in 1906 and living in Westwoodside, Lincolnshire, UK. I guessed an approximate birth date of 1890 plus or minus 10 years, selected the UK data set and hit the search button. Unfortunately I had erroneously typed MAY instead of MAW in the family name box, so I found a whole lot of George Mays! This shows that you need to be precise to get the search to work properly.
Once I had succeeded in entering MAW, the search immediately found George H Maw in the 1901 UK census. He was a thirteen year old, living in Westwoodside with his parents Gervase W and Mary J Maw and his younger siblings Frances A Maw aged 11 and Horace W Maw aged 3. The family was living in Nethergate, Westwoodside in the Parish of Haxey.
The same family was still all living in Westwoodside in the 1911 census, where the names are given fully as Gervase William and Mary Jane Maw with their children George Henry 23, Frances Alice 21 and Horace William 14. George Henry Maw is described as a House Joiner. In the 1891 census, the family were reported to be living in the hamlet of Graizelound, about 1 km south-east of Westwoodside and 500 metres south of Haxey. In this census, George was 3 and had an older sister, Bertha, aged 5. Further online research, which took me about 2-3 hours to complete, revealed a fairly complete view of the life of George Henry Maw. I summarise the main points below.
George Henry Maw was born on 22nd August 1887 in the parish of Haxey, Lincolnshire to parents Gervase William Maw (1863 – 1947) and Mary Jane Maw nee Hather (1867 -1935). He was at least the fourth generation of his farming family to be born in that area, starting with his great grandfather, another Gervase William Maw (1792 – 1847). George Henry Maw’s marriage to Lillie Oates, the daughter of David and Emma Oates, a farmer and his wife living in Westwoodside, was registered in the 2nd quarter of 1913 in Gainsborough, Lincolnshire. They had two children, Albert Horace Maw, born 1st February 1915 and Elsie Maw born 3rd December 1917. In 1939, George and his family were still living in the Isle of Axholme rural district, where George was described as a farmer and grocer. George Henry Maw died on 18th October 1972. His wife Lillie Maw nee Oates, who had been born on 8th June 1883, died on 1st May 1977. They both appeared to have lived their whole lives together in Westwoodside and are buried together near there (Figure 6).
George Henry Maw’s two children both married in Lincolnshire; Albert Horace Maw (1915-1998) to Sara H Campion and Elsie Maw to a Mr. Williamson. I have been unable to tell if either of these couples had children.
If we back to look at the picture of the MNC chapel and community in 1905, there are five or six young men who could be the then 18 year old George Henry Maw. Unless an authenticated photograph of him can be discovered, I do not expect to be able to identify him in the group picture.
Two other interesting things occurred to me. Firstly, he was presented with the book at the age of 18 or 19, which seems a little bit old to be a Sunday School pupil. Secondly, I can find no record of any military service in the first world war for him. He would have been 26 years old in 1914 and would have been expected to join the forces. However, he may have become a farmer following his marriage in 1913 to the daughter of a farmer, noting that he was reported to be a farmer in 1939. Farming was a reserved occupation in the 1914-1918 period. That may have saved his life.
Another thing that I don’t know is when the book left the Maw family. Was it at the death of George or his wife? Did the book pass on to one of his two children? What I do know is that I bought the book in 2010 from a well known dealer, who specialises in editions of Jane Austen. He works from Northampton in England, which is about 100 miles (160 km) to the south of Westwoodside.
What are these three editions of Mansfield Park by Jane Austen?
This is an example of how to establish the identity and provenance of books. In this part of the blog I am concentrating on the precise identification of books. I am going to compare these three books and then look at each in detail to see what we can learn about its origin. In the next posting, I will demonstrate how to investigate their provenance.
Here (Figure 1) are three different editions of Mansfield Park, all published more than 50 years after the first edition, which was published in 1814 in London by John Murray in three volumes. Only the left hand book has any extra information on the front of the binding, properly called the top board. In the upper cartouche is the phrase “Inestimable Stones Unvalued Jewels” and in the lower cartouche the phrase “The Ruby Series”. Inestimable Stones Unvalued Jewels is a quotation from Shakespeare’s play Richard III Act 1 Scene 4: “Inestimable stones, unvalued jewels, All scatter’d in the bottom of the sea“.
We can often roughly date a book by examining the appearance, style, materials and quality of the binding. All three books are cloth bound in predominantly red cloth, with two of them decorated with gilding. The Ruby Series binding is in a geometric style that is suggestive of the 1860-1880 period. The central book has an Art Nouveau look to it, and the style of the dress of the woman shown reading is Edwardian, which suggests a date range of 1900 – 1910. The right hand book with its ornate floral design suggests the broader late Victorian and Edwardian period of 1875 – 1910. All of these opinions are entirely subjective and represent my feeling on first seeing the books.
The next thing to do when examining any book is to look at the title page to see what information is present, and, all too often, what information is missing. On the three title pages, which are reproduced below (Figure 2), you can see that two of these books were published by George Routledge and Sons, while the third was published by Miles and Miles. None of the title pages cites a publication date. Here are the three title pages:
All three books are clearly editions of Mansfield Park published in London. After the title, all three pages repeat the same text ‘ BY JANE AUSTEN Author of “Northanger Abbey,” “Persuasion,” “Emma” etc, etc’, with some slight differences in fonts and cases. It is quite unusual for exactly these same three books to be cited in the same way; indeed, it is much more common for Austen to be cited as the author of Pride and Prejudice and/or Sense and Sensibility on title pages of the other Austen novels.
The left hand and central books are both published by George Routledge and Sons, with some differences in the address. In the left hand book, Routledge’s address is given as The Broadway Ludgate, followed by New York: 416 Broome Street. In the central book, the address is given as Broadway House, Ludgate Hill with no New York address. The central book also has an ornamented capital R device, obviously a colophon or logo for the publisher. The right hand book is published by Miles and Miles at Foresters’ Hall Place, Clerkenwell Road EC. The close similarity of the printed text concerning the author suggests that all three books are related.
The next thing to examine is the page count of the text of the novel, normally called the “text block”, and to have a look at the appearance of the text. The left hand book has a text block of 288 pages, whereas the central and right hand books both have text blocks of 443 pages. The first page of each text block is shown in Figure 3 below.
It is quite clear from Figure 3 that the two editions published by Routledge look different, but that the text block of the Miles and Miles edition seems to be exactly the same as the Routledge edition in the central panel, both in terms of page count, decoration and appearance. It is hard to get a proper impression of the quality of the pages from the images, but both the paper and print quality of the Routledge edition in the central panel is superior to both of the other two editions. How should we proceed from here?
Other relevant printed information
If we look at The Ruby Series edition of Mansfield Park, there are three other helpful pieces of printed information that can be found. These are a frontispiece, the printer’s details and some pages of publisher’s advertisements. These are shown in Figure 4 below.
The frontispiece is a fairly low quality wood engraving. It is disfigured by a large horizontal black ink smear, which is a printing defect that runs through the heads of the man and the woman. There are no artists’ names nor is there a date on the frontispiece image. This is disappointing, as we can often find both an engraver and and artist name in book illustrations. Dates are rarer, but can sometimes be found in illustrations. However, illustrations are not always original images made for a particular book; they can often be recycled and reused.
The last page of the text block, shown in the central panel of Figure 4 above, indicates a page count of 288 pages. Also, as is often the case, the last page of the text block bears the name of the printer. In this case, it is “Woodfall and Kinder, Printers, Milford Lane, Strand, London, W.C.” which is printed at the bottom of p.288. This information is often useful because the printer’s relationship with the publisher, the form of the name of the printing company and the address of the printer all may be associated with particular date ranges. In this case, we know from the Library of Congress records that this was the address for Woodfall and Kinder from 1865 to 1887.
Publisher’s advertisements in books can be very revealing. In this case there is some frustration, as it seems that the publisher’s advertising block of four leaves may be incomplete, as after the unnumbered first advert page, the following page numbers are present; 4,13,14,19,20,29,30. The page shown in the right hand panel of Figure 4, p.4, is the verso of the first advert page, suggesting that the publishers printed advertising pages that were extracted from a larger document. The most useful entry in the advert block is the entry two thirds of the way down the page shown in Figure 4, which reads “Routledge’s Every Boy’s Annual for 1876”. Annuals, by their nature are produced every year, so this entry strongly suggests the period 1876-1877 for the publication of The Ruby Series.
The other Routledge edition of Mansfield Park shown in the central panel of Figure 1 above also has a frontispiece and a block of advertisements, which are shown in Figure 5 below.
The frontispiece is a photographically produced half tone image that has an artist’s name, Sydney Carter, in the lower right hand corner. The picture shows Edward Bertram riding with Mrs Crawford, an incident from Chapter 7 of Mansfield Park. The frontispiece has no date. The decorated capital ‘R’ colophon for Routledge first appears on the title page of Routledge and Sons publications in 1903, and appears consistently on their publications until 1920. There is a four page block of publisher’s advertisements bound at the end of the text block. It consists of advertisements for books in Routledge’s Popular Library and Routledge’s Popular Poets, all of which were priced at 3/6. (three shillings and sixpence). An investigation of the book titles in the advertisements show that these items were first published by Routledge in the 1880s and 1890s.
There is also a printer’s name and address printed on the verso of the title page. It reveals the printer to be “London and County Printing Works, Bazaar Buildings, London, W.C.” This refers to the printer L. Upcott Gill, who worked at this address, which is in Drury Lane. There is evidence for the firm operating at that address at least between 1902 and 1907, including the printing of a book for Routledge in 1903.
When we consider the Miles and Miles edition of Mansfield Park, the situation is both much simpler and less helpful. There is no frontispiece present nor any other illustrations, there is no printer identified and there is no block of advertisements. So, where should we go from here?
Consult the Experts or Ask a Friend?
At this point, it is generally best to look at what is known about different editions of Jane Austen, and what is known about the two publishers, George Routledge and Sons and Miles and Miles. We now need to consult the most reliable bibliographic sources available. Another useful approach can be to consult WorldCat on line, which gives listings of holdings of books in thousands of libraries around the world. This can be a convenient way to access the Library of Congress and The British Library. For this investigation, I am going to stick to the standard bibliographies which provide far more detail. However, you do need to have access to copies of them. One of the essential elements of book collecting is to build a practical and working bibliographic library, appropriate to your collecting needs.
There are four bibliographic sources for Jane Austen. These are by Michael Sadlier (1888-1957), the authority on the publication of literature in 19th century England. His XIX Century Fiction: A Bibliographic Record, Constable, London 1951, based on his own collection, is the best general authority on 19th century publications. More specific and detailed bibliographies of Jane Austen were published by Geoffrey Keynes (1887-1982) Jane Austen:A Bibliography. Nonesuch Press, 1929 and Robert Chapman (1881-1960) Jane Austen: A Critical Bibliography Oxford University Press 1969. The current standard authority is David Gilson (1938-2014) in his massive A Bibliography of Jane Austen, 2nd edition, Oak Knoll Press, Newcastle, Delaware, USA , 1997.
The identification system used by Gilson is a combination of a letter which represents a class of publications, followed by a number which identifies the edition within that class, with the numbers assigned in chronological order. The letter and number codes are as follows in the 1997 edition:
A1 – A9 Original UK editions
B1 – B7 Original US editions
C1 – C249 Non-English translations
D1 – D13 Editions published by Bentley
E1 – E425 Later editions 1838 -1976
F1 – F24 Minor works by Austen
G1 – G7 Austen’s letters
H1 – H50 Dramatisations
J1 – J14 Continuations and completions
K1 – K20 Books owned by Jane Austen
L1 – L48 Miscellaneous
M1 – M1814 Biography and Criticism
When we consult Gilson, and similarly with Sadlier, Keynes and Chapman, the first thing to note is that there is no mention of Miles and Miles as a publisher of Jane Austen. However, there is quite a lot of detail on George Routledge in Gilson. Routledge published different inexpensive editions of Jane Austen, starting in 1849 with Sense and Sensibility recorded as Gilson E12 and Pride and Prejudice as Gilson E13. The publisher’s name and address on both of these is given as George Routledge and Co., Soho Square. These two titles reappeared in several reprinted editions throughout the 1850s.
Gilson also noted a 288 page edition of Mansfield Park published by George Routledge and Co., Farringdon Street; and 18 Beekman Street New York dated 1857 (Gilson E23). He noted that E23 was reprinted by Routledge in 1876 as a part of The Ruby Series, which Gilson recorded as E44. Gilson also noted that E44 was bound in a blue daisy-patterned cloth, with no date on the title page. The publisher’s details were given as George Routledge and Sons, The Broadway, Ludgate; NewYork 416 Broome Street. He also noted that the British Library copy had four leaves of publisher’s advertisements bound in. He also stated that E44 had a wood engraved frontispiece which depicted Edward Bertram and Mary Crawford on the park seat at Sotherton. From the list shown below, 416 Broome Street was the New York address for Routledge from 1866 – 1881.
I think the identity of my Ruby Series Mansfield Park is now clearly established as Gilson E44, published in 1876 in an alternative binding to that described by Gilson.
Gilson reports later editions of Austen printed by George Routledge and Sons, including all six novels in 1883, which included a 433 page edition of Mansfield Park (Gilson E61). These 1883 editions were all undated on the title page, but showed the publisher’s address as Broadway, Ludgate Hill; New York, 9 Lafayette Place. Gilson mentions that several of the 1883 editions of Jane Austen published by Routledge have been recorded by other researchers as reprinted by George Routledge and Sons in 1898 and 1899 as “The Steventon Edition”.
I have three of “The Steventon Edition” volumes of Jane Austen published by George Routledge and Sons in my personal library. Sadly, I don’t have a copy of “The Steventon Edition” of Mansfield Park. The bindings and title pages are shown below (Figure 6.) This are clearly Art Nouveau style bindings. The phrase “The Steventon Edition” appears blind stamped just above the gilded titles.
My copies of Sense and Sensibility and Emma shown in Figure 6 above both have frontispieces that are clearly stylistically very similar to that shown for the Routledge Mansfield Park in Figure 5. They are all signed Sydney Carter, all produced by the same photographic halftone process and all have the same style of caption. Sadly, the Northanger Abbey/Persuasion in Figure 6 has apparently lost its frontispiece.
The title pages in Figure 6. are all similar but have some slight differences. None of these “Steventon” editions have the decorated R colophon on the title page. The other Jane Austen titles cited following the author’s name are printed slightly differently, and the addresses on the Emma and NorthangerAbbey/Persuasion are given exactly as on the Mansfield Park in Figure 5 Broadway House, Ludgate Hill, whereas the address on the Sense and Sensibility is given as Broadway, Ludgate Hill | Manchester and New York. The “Manchester and New York” printed on the Sense and Sensibility is indicative of a publication date from 1892 to 1897. The other two books were probably published in the period 1900-1902.
From the images of the first page (Figure 7), the style of these three books closely matches the styles of the Miles and Miles Mansfield Park and the Routledge Mansfield Park in the centre of Figure 2. If we look at the text blocks of these three Steventon editions, we find they are 379, 444 and 448 pages for Sense and Sensibility, Emma and Northanger Abbey/Persuasion respectively. This exactly matches the page counts for the 1883 Routledge editions of these titles recorded by Gilson as E60, E63 and E64. The printer for these books is identified as “Woodfall and Kinder, Printers, 70-76 Long Acre, London, W.C.” According to the Library of Congress, this is the address for this printing firm from 1888 to around 1900.
George Routledge the publisher
What do we know abut George Routledge the publisher? Fortunately, the company records for George Routledge, who lived from 1812 to 1888, have survived, and are held by University College London. Inspection of these records reveal how the description of the company and its addresses changed over 100 years. They are summarised in the following list: The numbers in brackets are the street addresses, which sometimes were printed in full, but often the number was omitted.
1836-1843 George Routledge 11 Ryders Court, Leicester Square, London
1843-1851 George Routledge and Co., (36) Soho Square, London
1852-1858 George Routledge and Co., Farringdon Street
1858-1859 Routledge, Warnes and Routledge, (2) Farringdon Street
1860-1864 Routledge, Warne and Routledge, (2) Farringdon Street
1865 Routledge, Warne and Routledge, Broadway Ludgate Hill
1865-1866 George Routledge and Sons, Broadway Ludgate Hill
1866-1878 George Routledge and Sons, The Broadway Ludgate
1879-1886 George Routledge and Sons, Broadway Ludgate Hill
From 1854 to 1886, the address of the New York office was often printed below the London address. From 1887 to 1902, New York address no longer appeared on the title pages. All of the years from 1887-1890 start LONDON | George Routledge and Sons. and from 1890 onward LONDON | George Routledge and SonsLimited.
1887-1888 Broadway, Ludgate Hill | Glasgow and New York
1889-1892 Broadway, Ludgate Hill | Glasgow Manchester and New York
1892-1897 Broadway, Ludgate Hill | Manchester and New York
1895-1902 George Routledge and SonsLimited, Broadway Ludgate Hill
1900-1911 George Routledge and SonsLimited, Broadway House, Ludgate Hill
1903-1925 London | George Routledge and Sons, Limited |New York E.P. Dutton and Co.
1912-1925 London | George Routledge and Sons, Limited | Broadway House 68-74 Carter Lane E.C.
The New York addresses are shown below.
1854-1859 18 Beekman Street. New York
1859-1864 56 Walker Street. New York
1864-1866 129 Grand Street. New York
1866-1881 416 Broome Street. New York
1881-1886 9 Lafayette place New York
1887-1902 New York (American only publications will still use 9 Lafayette Place)
From all of these considerations, it seems clear that the Routledge edition of Mansfield Park shown in the central panel of Figure 1 must be a reprint of the 1883 Routledge edition described by Gilson as E62. The Steventon editions are also reprints of the 1883 editions, probably printed between 1892 and 1900. My Mansfield Park with the woman reading on the cover is almost certainly another, later reprint of E61, printed between 1903 and 1906, because of the evidence of the title page style and the printer and publisher’s addresses. As will be seen in Part 3 of the blog, there is another piece of evidence which supports this.
How can we identify the Miles and Miles edition, which is lacking in any evidence other than the name and address of the publisher and the style of the binding and the text block. Fortunately for me, Janine Barchas in her excellent “The Lost Novels of Jane Austen” published in 2019 by Johns Hopkins University Press, Baltimore, USA , has explored the origin of the Miles and Miles editions of Jane Austen. In chapter 2, Professor Barchas relates an impressive account of how the stereotype printing plates, which were created by Routledge and Sons for their 1883 editions of Jane Austen (Gilson E60 -E64) were sold or leased to other publishers to produce cheap editions of the books. She shows how Lever Brothers, soap manufacturers at Port Sunlight in Cheshire, UK, issued at least 100 titles from stereotype plates between 1890 and 1897, which included a copy of Sense and Sensibility in her own possession, and copies of Pride and Prejudice which are all clearly printed from the Routledge stereotype plates of 1883.
Janine Barchas has also identified that several books on the Lever Brothers list were also published by Miles and Miles in at least three binding styles, one described as The Marguerite Series, another as The Sundial Series and a third unnamed series which corresponds to the Miles and Miles binding of my Mansfield Park shown in Figure 1. She also identified the use of these same stereotype plates to produce even shoddier and cheaper looking editions by other publishers including Standard Authors, The Londoner Press and John Heywood Ltd of Manchester. Clearly a range of different publishers have had access to the same stereotype plates to produce cheap editions of Jane Austen in the period 1890 to 1905, perhaps even to 1910.
Finally, Janine Barchas noted that The British Library has a copy of Mansfield Park, published by Miles and Miles, tentatively dated to 1900 by an inscription. All of the above leads me to believe that my Miles and Miles edition of Mansfield Park is another reprint from the Routledge stereotype plates of 1883, printed some time between 1900 and 1906. For more on Miles and Miles see Price and Provenance 5.
The conclusions for the dating of all three of my editions of Mansfield Park are summarised in Figure 8 below. For an account of the establishment of provenance and prior ownership of these and other related books, please refer to the following section of the blog Price and Provenance 3.