Price and Provenance 11

Mansfield Park and the Victoria Cross

In this post I am exploring the provenance of the Groombridge Illustrated edition of Mansfield Park that I discussed in my last post, Price and Provenance 10. The book cover is shown below, with its engraved title page and frontispiece (Figure 1.)

My copy of this rare book has a hand-written dedication on the verso of the free front end paper. It is shown in Figure 2 below. It reads To | Lillie Bazley |With Emily’s love | July 1st 1876.

Figure 2. Gift inscription on ffep of Mansfield Park 1975

As a starting point, I searched on Ancestry.com for a Lillie Bazley whose birthday was 1st July, and who had been born between 1840 and 1860 in England. This search found a preexisting tree which contained an Elizabeth Mary (Lillie) Bazley born on 1st July 1857 in Eccles in Lancashire. Presumably Lillie had been a family nickname. On closer examination of that preexisting family tree, I was interested to see that Elizabeth Mary (Lillie) Bazley had married a military hero, General Sir Edward Pemberton Leach, V.C., K.C.B., K.C.V.O. Lillie Bazley was a member of a fairly distinguished family in her own right, as her father, Sir Thomas Sebastian Bazley, 2nd Baronet, was part of the minor nobility. I spent a few hours researching this family, and I have summarised my findings below. I have taken advantage of the fact that when a book is associated with a notable family, there is generally no shortage of available information about them.

The origins of the Bazley family

Elizabeth Mary (Lillie) Bazley, whom I shall call Lillie for short, was born on 1st July 1857 in Eccles, Lancashire to Thomas Sebastian Bazley (1829-1919) and Elizabeth Gardner (1828- 1890). At the time of her birth, her father had not yet inherited the baronetcy, so he was not yet Sir Thomas. His father, Sir Thomas Bazley, M.P. (1797-1885), Lillie’s grandfather, had been created the 1st Baronet Bazley of Hatherop in Gloucestershire, in 1869, on the advice of the Prime Minister William Gladstone, mainly for his services to the cotton industry. Sir Thomas had been born at Gilnow, near Bolton in Lancashire, the son of a sucessful cotton mill owner, another Thomas Bazley (1744-1845). In 1826 Sir Thomas had formed a partnership with another Lancastrian industrialist, Robert Gardner (1781-1866). Between them they took over a number of cotton mills in Lancashire, and developed the Barrow Bridge mill in Halliwell, which became famous as a model mill, and was the largest producer of fine cotton and lace in the world. On 1st November 1855, Robert Gardner’s daughter, Elizabeth, married Thomas Sebastian Bazley, the only son of Sir Thomas the 1st Baronet. Their first child was Lillie Bazley, the owner of my Mansfield Park.

Sir Thomas Bazley, who was named the 1st Baronet of Hatherop, after an estate that the family had purchased in Gloucestershire in 1867, had become sufficiently well known by 1875 that he was the subject of a Vanity Fair caricature by “Ape”, Carlo Pelligrini. The caricature is shown below in Figure 3, next to the more ordinary photograph of his erstwhile partner Robert Gardner. These two men are the grandfathers of Lillie Bazley.

Lillie Bazley was the first-born child of Thomas Sebastian Bazley and Elizabeth Gardner. She eventually had five other siblings:

  • Annie Caroline Bazley, born in 1862
  • Gardner Sebastian Bazley, born in 1863
  • Frances Annette Ellen Bazley, born in 1866
  • Jessie Marion Atkinson Bazley, born in 1868
  • Lucy Maud Mary Bazley, born in 1869

I have found this picture of the family, which is said to be from about 1900. I do not know exactly who the four ladies are. If the picture is from around 1900, my guess would be that the picture shows Sir Thomas Sebastian Bazley and his four daughters. Alternatively it could show Sir Thomas Sebastian and Lady Bazley with their three unmarried younger daughters. For this to be true, the picture must have been taken no later than 1890, when Lady Bazley died. I suspect that Lillie would not then have been in such a family picture, as she had married in 1883, the only one of the four sisters to marry before the death of Lady Bazley. The style of dress, the informality of the outdoor setting and the quality of the photograph suggest an Edwardian photograph rather than a late Victorian one. This makes me confident that one of these four ladies will be Lillie Bazley.

Figure 4 The Bazley family probably just after 1900.

The Bazley Baronetcy

When Sir Thomas Bazley, the 1st Baronet, died in 1885, the title passed to his only son who then became Sir Thomas Sebastian Bazley, the 2nd Baronet Bazley of Hatherop. Sadly, Lillie’s brother, Gardner Sebastian Bazley, died in 1911, eight years before his father, the 2nd Baronet, so it was his son who eventually became Sir Thomas Stafford Bazley, the 3rd Baronet of Hatherop, in 1919 at the age of 12. The title is currently held by Sir Thomas Stafford Bazley’s eldest son, Sir Thomas John Sebastian Bazley, who became the 4th Baronet in 1997. Figure 5 below shows Lillie’s brother Gardner Sebastian Bazley as a young man, and his son Thomas Stafford Bazley as a boy.

The family seat, Hatherop Castle, had been purchased by the Bazley family in 1867.After the Second World War it was first leased and then sold, along with its surrounding estates, as the family wanted to see the property survive intact. It currently operates as a private school, and is shown below. Lillie Bazley is known to have lived here during several periods of her life.

Figure 6. Hatherop Castle

Edward Pemberton Leach (1847-1913)

On 31st January 1883 Lillie Bazley married the then Lieutenant-Colonel Edward Pemberton Leach, VC, at Hatherop. Edward Pemberton Leach was born in Londonderry, Northern Ireland on 2nd April 1847. After finishing his education at Highgate School in London and the Royal Military Academy at Woolwich, , he was commissioned into the Royal Engineers in 1866, the same regiment as his father, Sir George Archibald Leach (1820-1913). He was sent out to India in 1868, and in 1879, as a 31 year old captain in the Royal Engineers attached to the Bengal Sappers and Miners of the British Indian Army, he fought in the Second Afghan War, in which on 17th March 1879 he won a Victoria Cross. This event earned him a return to England to recuperate from his wounds and to receive his Victoria Cross from Queen Victoria at Windsor Castle on 9th December 1879. He returned to active service in India, and gained rapid promotion, so that less than four years later, when he returned to England to marry he was already a Lieutenant-Colonel. He later saw active service in Egypt and Sudan, before returning to senior commands in the UK. Other promotions followed and he was knighted in 1909 by King Edward VII. Lillie Bazley had now become Lady Leach.

Sir George Archibald Leach had a career in the public service after the army, and so was in the public eye, becoming the subject of a Vanity Fair caricature by FTD in 1896. Figure 6 below shows the caricature, and a photograph of his son Edward Pemberton Leach, V.C. around the time of his marriage.

Bazley-Leach marriage and beyond.

Lillie Bazley and Edward Pemberton Leach had three children. They were:

  • Lilian Vera Pemberton Leach born on 15 November 1883 at Hatherop Castle
  • Gordon Pemberton Leach, born on 2nd Aug 1885 at Hatherop Castle
  • Elsie Pemberton Leach, born in 30th June 1888 at Plymouth, Devon.

After their marriage in January 1883, Edward Leach served overseas on several occasions before his final return to the UK in 1887. The family lived in Plymouth until the mid 1890s, when Edward was promoted to Major-General and then appointed to a senior command in Northern Ireland, where the family lived in Antrim from about 1898 to 1905. Their son, Gordon Pemberton Leach, was at boarding school from around 1900 and joined the army in 1905. The rest of the family moved to Scotland later in 1905 when Edward was appointed to be the General Officer Commanding for the Scottish Command, remaining in that post until 1909. Lillie and Edward then returned to London where they lived until Edward’s retirement.

Edward Leach eventually retired from the army in 1912 as General Sir Edward Pemberton Leach, V.C., K.C.B., K.C.V.O. Sadly, he died on 27th April 1913 at Caddenabbia on Lake Como in Italy, where he and Lillie had decided to live following his retirement. He died just six weeks before his father, Sir George Archibald Leach, in June 1913. After her husband’s death, Lillie returned to England and was living at 29 Palace Gate, London W8.

Her son, Gordon Pemberton Leach, had risen to the rank of Captain in the Royal Field Artillery by the start of World War One. He was killed in action on 19th August 1915 at Hellas in Gallipoli, and is buried there at the Pink Farm military cemetery. Neither of Lillie’s daughters married, and the youngest, Elsie, lived with her mother, until Lillie Bazley, as Lady Elizabeth Leach, died in Bournemouth in Hampshire on 9th January 1940.

After her mother’s death, Elsie Leach became quite a famous ornithologist in her later years. She eventually died in Kensington in 1968. Lilian Vera Leach lived in mostly London,where she too died in Kensington in 1973. None of the three children of Elizabeth Mary (Lillie) Bazley married or had children.

Who gave Mansfield Park to Lillie Bazley?

The inscription shown in Figure 2 reads To | Lillie Bazley |With Emily’s love | July 1st 1876. We know that the Groombridge Mansfield Park was published in October 1875, so who was the Emily who gave the book to Lillie for her 19th birthday?

I will never be able to prove this, but I do have a possible theory. I think that the answer can be found on the census document for the Bazley family from April 1871, where the 13 year old Lillie Bazley is reported to be living with her family in the Alexander Hotel in Knightsbridge, London. Among their servants is a 24 year old Under-Nurse called Emily Westmacott from Leckhampton, Gloucestershire. Her job would have been to look after the children. In the April 1881 census, the Bazley family is living back at Hatherop Castle in Gloucestershire, but Emily Westmacott is no longer with the family. In fact, there are no nurses listed among the servants, as the children are all older now. There is instead a “Resident Governess” and a “Young Ladies Maid”.

On 7th October 1975, Emily Westmacott had married Charles Cornock at St. Luke’s Church, Cheltenham in Gloucestershire, and by April 1881, she and Charles were living in Leckhampton in Gloucestershire with their three young children. One can presume that in the 1870s, the Bazley family would have moved back and forth between London and Hatherop, following the social customs of the day. In July 1st 1876, Emily would probably have already have been living in Leckhampton, which is within 15 km of Hatherop. She could have bought Mansfield Park in nearby Cheltenham, where there were several bookshops in the 1870s, and sent the book from Leckhampton to Hatherop by post or by coach. We don’t know how long Emily worked for the Bazley family, but the informal tone of the inscription suggests to me the sort of close relationship that a dedicated nursemaid may well have developed with one of the children in her care.

I have no information on when or how the Groombridge Mansfield Park left the possession of the Bazley-Leach family. Lillie may have passed the book on to one of her two daughters, or to one of her surviving siblings or their families. There are no other ownership marks or inscriptions to give me any clues. I bought the book quite recently from an English book dealer who specialises in old and unusual editions of Jane Austen.


Price and Provenance 3

Researching Provenance

Having established as much as possible from the printed information in books, the next step is to use information left in books from previous owners. This is most commonly from ownership inscriptions, bookplates, gift inscriptions or prize and award labels. But rather than just focusing this step on the book itself, particularly on the dating of a book, I like to follow up with an investigation on who, exactly, the previous owner was. Where and when did they live? What was the circumstance of their acquisition of the book? As examples of my approach, we will return to the three editions of Mansfield Park that I examined in part 2 of this blog.

Where to look for ownership information

Normally, we look at the blank pages bound into the front of the book or sometimes the back of the book for evidence of previous owners. We call the pages bound in before the text block the preliminaries, often abbreviated as “prelims”. The first page, which is glued down to the front board of the binding is called the “paste down end paper”, although it is now more frequently called the “front paste-down” The next blank page is called the “free front end paper”, often abbreviated as “ffep“. At the back of the book, the equivalent pages are called the “rear paste down” and the rear free end paper”. The other places where inscriptions commonly occur are on the title page, on the half-title page, if present, or on the recto page which has the frontispiece on the verso. The half-title page is found between the ffep and frontispiece and the title page and usually has the title of the book printed on it and sometimes the name of the series that the book forms a part of, is such is the case. Half titles were very common in the 19th century and less common in the 20th century. Sometimes, prelim pages may be missing from the book. This is often because a previous owner has wanted to remove the name or inscription from a earlier owner. This desire also can result to a small piece being cut from the prelim page, generally the ffep, to remove the name of a previous owner. I strongly disapprove of this practice and of the removal of bookplates!

If we examine the Routledge “The Ruby Series” copy of Mansfield Park from 1876 shown in the left panel above, we find that there is a ffep, a half-title page which reads MANSFIELD PARK, a frontispiece and a title page, shown in the previous blog. However, there are no inscriptions, bookplates or labels, so we really can not find out anything about previous owners. One should note that the end papers are a dark brown colour, which would not carry a legible inscription unless it were written in a very light colour or in white.

The Routledge Mansfield Park in the central panel, which was shown to be a reprint of Gilson E62 from 1903-1906 in the previous blog, has white end-papers, no half-title, a frontispiece and a title page. However, it also has a hand written gift inscription on the front paste down Figure 2.

The inscription reads “Presented by The Managers of the M.N.C. Sunday School Westwoodside to George Henry Maw May 20 – 1906.”

This inscription is almost ideal in terms of investigating the provenance of the book. Firstly, the date is precise, 20th May 1906. This means that the book must have been printed and published prior to this date. This confirms the idea that the book was published between 1903 and 1906. It is also interesting to note that 20th May 1906 was a Sunday. (You can look this up on an online perpetual calendar.) This is not surprising as the book was presented by a Sunday School.

The other two things that occurred to me when I first saw this inscription was that the place identified, Westwoodside, is unambiguous and, perhaps, an unusual place name. Secondly, George Henry Maw is a precise, full name and Maw is an unusual family name. It is much harder to trace the provenance of a book that is inscribed ” To Fred from his favourite Auntie” – I do possess a book with exactly this inscription.

Typing “Westwoodside” into Google returns the Wikipedia entry for Westwoodside as the first item listed. It reveals that “Westwoodside is a small village in North Lincolnshire, England. It is situated within the Isle of Axholme and 7 miles (11 km) north-west from Gainsborough.” In the map of the Isle of Axholme below (Figure 3), it can be seen that the “Isle” is in fact a tract of low lying farmland that sits between the River Don to the west (not shown) and the Trent to the east. In fact, the Isle of Axholme can best be thought as occupying a triangle defined by Doncaster (Yorkshire), Scunthorpe and Gainsborough (both in Lincolnshire).

Map of the Isle of Axholme
Figure 3 Map of the Isle of Axholme

What is the M.N.C. Sunday School?

The book was presented by the “M.N.C. Sunday School Westwoodside.” Typing this phrase into Google returns an article on Alexander Kilham and Epworth. The first sentence of the article states “Alexander Kilham the founder of the METHODIST NEW CONNEXION was born in Epworth in 1762, and the family business was sackcloth weaving.” You can see Epworth on the map above, a few km to the north-east of Westwoodside. M.N.C. is clearly Methodist New Connextion, a breakaway form of Methodism that spread from Epworth to nearby villages like Westwoodside. The article also has two pictures. The second one, shown below in Figure 4, shows the M.N.C. chapel at Westwoodside, together with its congregation in 1905! The image was from a contemporary postcard which has survived.

Figure 4. MNC chapel Westwoodside, Lincolnshire 1905.

Could one of the men or boys in this picture be George Henry Maw?

I have found a second picture of the Westwoodside MNC chapel on another postcard, undated but clearly of the same period (Figure 5).

Figure 5

George Henry Maw

Approaches to Family History Research

In order to find out more about George Henry Maw, we need to enter the realm of family history research. I use several of the commercial websites for this, including The Genealogist, Findmypast.com and Ancestry.com, as well as the free site Family Search which is run by The Church of the Latter-day Saints (the Mormons). All of these sites are easily found online.

My preference is Ancestry.com which I have been using for more than a decade to research my own family history. It also proves to be an invaluable tool in researching authors and previous owners of books. It does involve an annual subscription, but you can often also access it if you join a local genealogical or family history society.

To start the search, you enter what you know. I entered that George Henry Maw was male, alive in 1906 and living in Westwoodside, Lincolnshire, UK. I guessed an approximate birth date of 1890 plus or minus 10 years, selected the UK data set and hit the search button. Unfortunately I had erroneously typed MAY instead of MAW in the family name box, so I found a whole lot of George Mays! This shows that you need to be precise to get the search to work properly.

Once I had succeeded in entering MAW, the search immediately found George H Maw in the 1901 UK census. He was a thirteen year old, living in Westwoodside with his parents Gervase W and Mary J Maw and his younger siblings Frances A Maw aged 11 and Horace W Maw aged 3. The family was living in Nethergate, Westwoodside in the Parish of Haxey.

The same family was still all living in Westwoodside in the 1911 census, where the names are given fully as Gervase William and Mary Jane Maw with their children George Henry 23, Frances Alice 21 and Horace William 14. George Henry Maw is described as a House Joiner. In the 1891 census, the family were reported to be living in the hamlet of Graizelound, about 1 km south-east of Westwoodside and 500 metres south of Haxey. In this census, George was 3 and had an older sister, Bertha, aged 5. Further online research, which took me about 2-3 hours to complete, revealed a fairly complete view of the life of George Henry Maw. I summarise the main points below.

George Henry Maw was born on 22nd August 1887 in the parish of Haxey, Lincolnshire to parents Gervase William Maw (1863 – 1947) and Mary Jane Maw nee Hather (1867 -1935). He was at least the fourth generation of his farming family to be born in that area, starting with his great grandfather, another Gervase William Maw (1792 – 1847). George Henry Maw’s marriage to Lillie Oates, the daughter of David and Emma Oates, a farmer and his wife living in Westwoodside, was registered in the 2nd quarter of 1913 in Gainsborough, Lincolnshire. They had two children, Albert Horace Maw, born 1st February 1915 and Elsie Maw born 3rd December 1917. In 1939, George and his family were still living in the Isle of Axholme rural district, where George was described as a farmer and grocer. George Henry Maw died on 18th October 1972. His wife Lillie Maw nee Oates, who had been born on 8th June 1883, died on 1st May 1977. They both appeared to have lived their whole lives together in Westwoodside and are buried together near there (Figure 6).

Figure 6. Grave of George Henry and Lillie Maw

George Henry Maw’s two children both married in Lincolnshire; Albert Horace Maw (1915-1998) to Sara H Campion and Elsie Maw to a Mr. Williamson. I have been unable to tell if either of these couples had children.

If we back to look at the picture of the MNC chapel and community in 1905, there are five or six young men who could be the then 18 year old George Henry Maw. Unless an authenticated photograph of him can be discovered, I do not expect to be able to identify him in the group picture.

Two other interesting things occurred to me. Firstly, he was presented with the book at the age of 18 or 19, which seems a little bit old to be a Sunday School pupil. Secondly, I can find no record of any military service in the first world war for him. He would have been 26 years old in 1914 and would have been expected to join the forces. However, he may have become a farmer following his marriage in 1913 to the daughter of a farmer, noting that he was reported to be a farmer in 1939. Farming was a reserved occupation in the 1914-1918 period. That may have saved his life.

Another thing that I don’t know is when the book left the Maw family. Was it at the death of George or his wife? Did the book pass on to one of his two children? What I do know is that I bought the book in 2010 from a well known dealer, who specialises in editions of Jane Austen. He works from Northampton in England, which is about 100 miles (160 km) to the south of Westwoodside.

I will look at the provenance of the Miles and Miles copy of Mansfield Park in the next installment of this blog.


Featured

Price and Provenance 1

An Approach to the Investigation of Books

Introduction

This is the starting point for a series of posts about how to find out information about any particular copy and any particular edition and printing of an old book. As a book collector, these have been topics of great interest to me, so I thought that it might be useful to share and document some of my approaches, methods and findings. I call this series “Price and Provenance” as it is often quite difficult to find out how much an older book initially cost and also who has owned it previously. Both are issues of some interest to a serious book collector. I am taking different editions of the novels of Jane Austen as my starting point for this series of posts, partly as it reflects one of my main collecting interests, and partly as I have quite a few interesting editions to discus.

New books

Let’s start with the situation of new books. It is obviously so much easier to document the price, nature and provenance of a new book. You go to your local bookshop, or if you must, look at online vendors. Whichever way you choose, you browse around the available stock, choose your book, pay your money and take your purchase home so it can join the family of your previous purchases.

Virtually all new books today carry excellent documentation of what they are. Externally, books generally will have a removable price sticker that humans can read and also often a machine readable price bar-code. For most of the 20th century, the price was recorded on the front inner, lower corner of the dust jacket, often below a diagonal line which invited the discerning gift giver to remove the price with a pair of scissors. Dust jackets that have been mutilated in this way are generally referred to as “price-clipped”.

Books will have a title page, which will tell you the book title, author and publisher, generally in that order as you read down the page. It used to be that, through most the past 500 years, the date of publication appeared at the foot of the title page. Today, more often than not, the title page will not have the date of publication printed at the bottom. You will now have to turn the page to find it.

Now for some nomenclature which I will try to introduce gradually through these posts. We call the front of a leaf in a book or right hand page as we view an opened book the “recto” and the rear of that page, normally appearing on the left hand side of an opened book, the “verso.” So, if you look on the other side, the verso, of the title page of a new modern book, you will see a whole lot of detail which gives you a full description of the book. There will be a dated copyright statement, the date of publication, and the full name and address of the publisher, often with addresses of that publisher in multiple countries. Books published in the USA will have a statement about registration with the Library of Congress. In the UK, the equivalent is a statement about a CIP catalogue number registered with the British Library, and in Australia, where I live, there will be an equivalent statement with regard to the National Library of Australia. Towards the bottom of the page the details and address of the printer are usually given.

The details of the edition of the book also generally appear on the verso of the title page. Some times the statement will be simply “First Edition” ; other times it might say “Third impression” or it might read something like “First published in 1963, reprinted 1964 (twice), 1965, 1966”. More recently, this has been codified into a line of numbers. It generally looks like this:

1 3 5 7 9 10 8 6 4 2

or this: 1 3 5 7 9 8 6 4 2

But is may also look like this: 9 8 7 6 5 4 3 2 1

All of these tell you that the book is the first impression (printing) of the first edition. If however the line of numbers should look like this:

9 8 7 6 5 4 3 2

you are dealing with the second impression of the first edition, and you will find with each new impression, a further digit is removed. For some blockbusters, the publishers just print a number by itself to indicate the impression.

International Standard Book Number (ISBN)

In modern books, you will also find the ISBN number. ISBN stands for International Standard Book Number. These started in 1965 as a nine-digit Standard Book Number which in 1967 became the International Standard Book Number. The format was officially established as an international standard in 1970 when a ten-digit ISBN was adopted; the earlier nine-digit numbers were updated by the addition of a leading zero. New books displayed the ten-digit ISBN, as a printed number or as a bar-code from 1970 until 2007 when the ISBN standard was redefined as a 13 digit number. While most countries adopted the ten-digit ISBN in 1970, the UK persisted with the nine-digit format until 1974. Most book readers will be familiar with the appearance of the 13 digit ISBN bar-code format shown below:

200px-EAN-13-ISBN-13.svg

Without going into the full complexities of the ISBN system, the principle is that each book should be uniquely identified, just as a URL uniquely identifies a Web page. The structure of the ISBN is built from several elements: a three-digit prefix, currently 978 or 979 known as the EAN (European Article Number), the language and or country of publication, publisher and book details. The final single digit is a technical check-sum. The elements are separated by blank spaces or by hyphens. Different formats of books (hardback, paperback, e-book) each get their own individual ISBN.

Identification and provenance of older books

For any book published before 1970, there is no ISBN, so as collectors, we have traditionally concentrated on the identification of the precise edition, printing or binding of any given book, either from inspection of the book itself, or by recourse to catalogues and bibliographies. Much less effort has been expended on understanding provenance, with the exception of the identification and collection of desirable “Association” copies of books. By Association copy, we mean a book which has been previously owned or inscribed by someone of importance, either to the book itself, or its subject matter or sometimes just by the personal fame of the associated person.

In her recent excellent book “The Lost Novels of Jane Austen”, (Johns Hopkins University Press, Baltimore, 2019, ISBN 978-1-4214-3159-8)  Professor Janine Barchas explores the topic of the provenance of hitherto unregarded, cheaper editions of the novels of Jane Austen as valuable evidence in the understanding of how the popularity of this major author was spread by the publication of editions that were accessible to the broad general reading public. Many of the books that she examined had escaped inclusion in the standard bibliographies.

Professor Barchas also uses the information of prior ownership, in combination with family history research techniques, to rediscover some of the countless unrecognised readers of Jane Austen from the past. This approach has been a facet of my book collecting practice for the past decade or so. In a series of follow-up posts, I will share some of the findings of my exploration of provenance and the previous history of the books in my collection. My first examples, like Janine Barchas’ work, will involve Jane Austen. Here are three copies of Mansfield Park which I will be exploring first.

Read the next posting to learn more about these three books.